Review of Related Studies
                                                                                are treated very poorly for being a successful farmers, therefore, white people hate them and considered them as the enemy of white dominance.
Emiko,  here,  is  described  as  depressed,  isolated  and  victimized.  The money she saves to go back to Japan has been stolen by her husband. Her dream is
already  crushed  and  she  changes  her  strategy.  She  commits  suicide  as  she  is dancing  and  singing  to  her  favorite  song,  “And  The  Soul  Shall  Dance”,  she
chooses death over a life of abuse and servitude at the hands of her husband. Terry explains that Emiko‟s death is a form of freedom, a freedom from the oppression
she had experienced back then and finally, her soul is free to sing and dance. Roberta  Uno  in  says  that  Wakako  Yamauchi  based  the  main  character  in
her  play  entitled  The  Music  Lesson  on  a  widow  she  once  knew  in  her neighborhood when she was just a girl. Yamauchi, as cited by Uno, said that she
admired this woman back then, that woman worked in a field and always wore her dead  husband‟s  clothes.  Yamauchi  described  her  as  a  woman  who  looked  so
fragile  yet  she  was  able  to  drive  truck,  ran  a  piece  of  land  and  raised  children alone. In The Music Lesson, Yamauchi implicitly comments on the lack of choices
for  many  Issei  women  and  their  misery  because  of  the  sense  of  sacrifice  and obligation.
Yamauchi  also  points  out  the  suffering  of  those  women  who  failed  to adjust to their arranged marriages when Chizuko, the main female character, gives
responds to her daughter accusation that she never loved her dead husband, says, “How  could  I  love  him?  I  didn‟t  know  him.”  Furthermore,  Uno  states  that  the
sense of people who are isolated from  each other by physical  distance, occupied by their burden of labor, challenged by different culture values, gives impression
that  The  Music  Lesson  is  not  merely  a  simple  love  story,  it  also  presents  a chronology and problems of Asian-
American seen through women‟s perspectives.
Another  study  about  Wa kako  Yamauchi‟s  work  comes  from  Valerie
Matsumoto  in  the  journal  entitled  Songs  My  Mother  Taught  Me:  Stories,  Plays, and Memoir, by Wakako Yamauchi
, she writes, Mother-Daughter  Relations  often  form  the  axis  around  which  Wakako
Yamauchi‟s stories revolve. Her women—strong willed farmers, awkward adolescent,  middle-aged  divorcees
—struggle  to  sort  through  the  lessons their mothers tried to instill Matsumoto, 1994: 8
In  The  Music  Lesson,  an  Issei  farm  widow  and  her  stubborn  teenage  daughter argues  over  the  attentions  of  an  appealing  nomadic  worker.  Their  conflict,  as
Matsumoto  says,  reflects  the  big  difference  in  women‟s  expectation  and experience.  The  Issei  woman  character,  Chizuko,  described  as  a  mother  who
always concerns about how she can support her family in order to keep alive. She is  influenced  by  American‟s  ideals  of  individualism  and  personal  fullfillment.
Meanwhile  Aki,  her  daughter,  gets  tired  of  her  mother‟s  monotonous  work  and start demanding more.  Yamauchi‟s stories often depict the relationship between
mother  and  daughter,  the  tie  they  have,  construct  a  source  of  their  hugest vulnerability and their deepest grounding.
In  addition,  Yamauchi  always  inserts  art  in  her  men  and  women characters‟ hearts  in her works. In And The Soul Shall Dance, for instance, the
Japanese  song  which  is  repeatedly  played  on  a  Victrola,  provides  a  nostalgic
memory to their homeland. For the Nisei teenager, Aki, in The Music Lessson, the violin  music  she  plays  symbolizes  her  yearning  of  love.  In  writing  her  work,
Yamauchi  tends  to  emphasize  commitments,  compassion,  love  rather  than  false glamour and glibness.
Matsumoto explains that Yamauchi‟s capability to explore the  relation  between  immigrants  and  their  American-born  children,  gives  a  clear
picture  of  suspenses  and  delicate  negotiations,  as  well  as  shared  roots  that  bind them.
In  this  study,  the  writer  would  like  to  reveal  the  struggle  of  Chizuko Sakata  as  an  Issei  widow  seen  through  the  postcolonial  feminist  perspective.  By
analyzing  Chizuko  Sakata,  the  writer  wants  to  describe  how  a  Japanese  woman immigrant  strives  for  survival  and  adjustment  to  isolated  life.  This  thesis,
examines  how  patriarchy  emerges  within  immigrant  community  and  restricts women‟s movement. Moreover, the writer also reveals that conditional reason and
experiencescan give influence to the main character and play the important role in constructing attitudes and perspectives about woman being independent.
                