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to be dependent, becomes dependent. The empathy she has, makes her able to calm and solve problems. She becomes more reliable than Joy.
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CHAPTER V CONCLUSIONS AND SUGGESTIONS
This chapter consists of two parts. They are conclusions and suggestions. Conclusions are related to the characterization of Joy and Sadness, also the surface
meaning and deeper meaning. Then, the suggestions consist of recommendation for the future researcher and English teacher.
A. Conclusions
In this section the researcher gives over all conclusion from the findings of the problem formulations. The first finding is about Joy and Sadness’ characters, then the
second is about the meaning behind Joy and Sadness interpersonal conflicts. The first is Joy and Sadness character. In this screenplay, Joy and Sadness are
emotions which portrayed as real human. Both Joy and Sadness are the central characters. They both also have round characters.
Joy is a cheerful girl. She is an extroverted person so it is easy for her to express her feelings in front of others. She jumps here and there, she dances, and easily
excited over something new. Joy is an optimistic person. When things get hard over PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI
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the moving to San Francisco, she becomes so supportive for others. Joy bring the best imaginations to enjoy the new house so others won’t feeling depressed. Her positivity
makes her easy to adapt. By being optimistic, Joy becomes a hardworking person. Even Joy seems so playful, she is actually has good manner of leadership. She leads
her friends to face the crisis of Rilley’s condition. Other emotions believe her so much which make them more dependent.
Different situation happens to Sadness. Sadness is an introverted character. She does not like to be so interactive, its because she is so passive. Compared to Joy,
Sadness is extremely pessimistic. Her pessimistic personality always placed Joy in hard position, especially when they get thrown to the Long-Term Memory. Everytime
things get hard, she only lays down and look up like there is nothing she can do about it. Her negativity make other emotions looks down on her. For the other emotions,
Sadness is like someone that can not take any responsibility. In contrast, Sadness is a character with wide knowledge. She reads almost all the books in the Headquarters
and remember the contents of the books. She even understand the way to get out from Long-Term Memory labyrinth. She is also a person with compassion, who comfort
Bing Bong when he is depressed. From the surface meaning which discussed in Chapter 4, it can be concluded that
there are imbalance situations in the Headquarters between Joy and Sadness. Joy has a big will to power the console. Then the deeper meaning is that both of them have
suffered from violating “not to have the desire of somebody else’s love possessions.”. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI
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Both Joy and Sadness have a big desire to have others belonging that makes them switch their own character with others. In sort, Joy becomes more Sadness and
Sadness becomes more Joy, like the title of Pete Docter’s film, Inside out.
B. Suggestions
This part give suggestions for the next researchers who are interested in analyzing a film screenplay, especially Inside Out film screenplay. The other
suggestion is for English Teachers in using Inside Out screen play as a learning material.
1. Suggestion for Future Researchers
This study is limited to the analysis on the true meaning of Joy and Sadness’ interpersonal conflict. After analyzing the screenplay, the researcher suggest to
the future researcher on conducting the study about an analysis of intrapersonal conflicts from Joy’s point of view.
2. Suggestion for Englsih Teacher
Analyzing a story or character trough a screenplay is a fresh class activity. By analyzing the screenplay the students will understand how the director makes
