Musical Nicknames and Superlatives
Musical Nicknames and Superlatives
ABCs of Opera A i d a , B o -
American Dvorák’s ˘ Quartet in
Auber’s Most Popular Over-
heme , Carmen
F (opus 96)—for two violins,
ture Masaniello
Adam’s Most Popular Ballet
Aus der Neuen Welt ( G e r- Giselle
viola, and cello
m a n — F r o m t h e N ew Adieu Chopin’s Polonaise in
American Symphony Orches-
World)—Dvorák’s ˘ Ninth B-flat minor
tras of Greatest Distinc-
Symphony Aegyptische Die Aegyptische
tion Boston Symphony,
Aus Ital Aus Italien (German- Helena (German—The Egyp-
New York Philharmonic, Phil-
From Italy)—symphonic tian Helen)—Richard
adelphia Orchestra, Chicago
poem by Richard Strauss Strauss’s music drama
Symphony, Cleveland Or-
Aus meinem Au s m e i n e m Aeolian Symphony Rachman-
chestra, St Louis Symphony,
Leben (German—From My inoff’s Symphony No 3 in A
Los Angeles Philharmonic,
Life)—Smetana’s autobio- minor
San Francisco Symphony, Se-
graphical String Quartet No 1 Africaine L’ A f r i c a i n e
attle Symphony
in E minor (French—The African
An Donau An der schönen
Australian composers Arthur Girl)—Meyerbeer opera
blauen Donau (German—On
the beautiful blue Danube)—
L Benjamin, Peggy Glanville-
African-American Arranger-
H i c k s , P e r cy A l d r i d g e Composer-Conductor Eva
waltz by Johann Strauss, Jr
Grainger Jessye
And This Is My Beloved
Australian Duo c l a s s i c a l Age of Anxiety B e r n s t e i n ’s
Borodin’s Nocturne from his
composers Percy Grainger Symphony No 2
String Quartet No 2
Anniversary Waltz Ivanovici’s
and Arthur Benjamin
Albeniz’s Most Popular Piano
Austrian composers A l b a n Piece Iberia
fanfare titled Danube Waves
Antar R i m s ky - Ko r s a k ov ’s
Berg, Anton Bruckner, Franz
Albinoni’s Most Popular
Joseph Haydn, Wolfgang Piece Adagio for Strings
Symphony No 2
Amadeus Mozart, Arnold and Organ
Antheil’s Most Popular Work
Ballet Mecarique
Schoenberg, Franz Schubert, the Strauss family (Johann,
Al combate corred bayameses
Johann, Jr, the two Josephs) (Spanish—Swift in combat,
Apotheosis of the Dance
Austrian Waltz Kings J o s e f men of Bayamo)—Cuban na-
Beethoven’s Symphony No 7
(Franz Karl)—Lanner and Jo- tional anthem
Appassionata Beethoven’s Pi-
ano Sonata No 23 in F minor
hann Strauss, Jr
Alfven’s Most Popular Over-
Babi Yar Symphony No 13 of ture M i d s o m m e r v a k a
(opus 57)—nicknamed for its
Shostakovich inspired by po- (Swedish—Midsummer-
impassioned mood
ems of Yevtushenko Night Vigil)
Archduke Beethoven’s Trio in
B minor (opus 97)—dedi-
Bach’s Most Popular Cha-
All Men are Brothers S y m -
conne Partita in D minor phony No 11 by Alan Hov-
cated to Archduke Rudolph
for Unaccompanied Violin haness
Arctic Vassilenko’s Fourth
Symphony
Bach’s Most Popular Orches-
Alpine Alpine Symphony (sym-
tral Works 6 Brandenburg phonic poem by Richard
Arensky’s Most Popular Bal-
Concerti Strauss—Eine Alpensinfonie)
let Egyptian Night
Argentinian Composers A l -
Bach’s Most Popular Piece
Alpine Waterfall Saint-Saëns
Air for the G string Piano Concerto No 3 in E flat
berto Ginastera, Juan Guiter-
rez, Roberto Morillo, Alberto
Bach’s Most Popular Work
Toccata and Fugue in D minor Alsatian musicians c o n d u c -
major
Williams
Ariadne Ariadne auf Naxos
Balfe’s Most Popular Opera
tor Charles Munch; organists
The Bohemian Girl Edvard Nies-Berger and Al-
(German—Ariadne on
Ballo Un Ballo in Maschera bert Schweitzer; composer
Naxos)—one-act opera by
(Italian—A Masked Ball)— Émile Waldteufel
Richard Strauss
three-act opera by Verdi Amahl Amahl and the Night
Aristocrat of Orchestras The
Banditenstreiche (German— Visitors (Menotti opera)
Boston Symphony Orchestra
Jolly Robbers)—von Suppé Amelia Amelia Goes to the
Arlésienne L’Arlésienne Suite
overture Ball (Menotti one-act comic
No 1 and Suite No 2 by Bizet
Barber B a r b e r o f S ev i l l e opera)
Arne’s Most Popular Orato-
rio Judith
(Rossini opera)
Musical Superlatives
Barber’s Most Popular Sym-
Berg’s Most Popular Opera
Black Pianist of the Century
phonic Work Adagio for
Andre Watts (1946– ) Strings
Lulu
Berlin Bach C a r l P h i l i p p
Black Soprano of the Century
Barbiere Il Barbiere di Siviglia
Leontyne Price (1927– ) (Italian—The Barber of
Emanuel Bach, also called the
Hamburg Bach
Seville)—opera by Rossini
Black Tenor of the Century
Berlioz’s Most Popular
Baritone of the Century D i -
Opera Damnation of Faust
Roland Hayes (1887–1976)
e t r i c h F i s c h e r- D i e s k a u
Berlioz’s Most Popular Sym-
Black Trumpeter of the Cen-
phonic Work S y m p h o n i e
tury Louis (Satchmo) Arm-
Bartók’s Most Popular Sym-
strong (1900–1971) phonic Work Concerto for
Fantastique
Blind Composer Joaquin Ro- Orchestra
Berlioz symphonies Sympho-
drigo born near Valencia, Bass of the Century F e o d o r
Spain, remembered for his Chailiapin (1873–1938)—
nie Fantastique and Sympho-
guitar Concerto Aranjuez George London (1920–1985)
nie Funèbre et Triomphale
Bernstein’s Most Popular Bal-
let Dybbuk
Bloch’s Most Popular Rhap-
basset-horn tenor clarinet
Bernstein’s Most Popular
sody Schelomo for cello and
Bassoonist of the Century
orchestra Sol Schoenbach of the Phila-
Overture Candide
Bluebeard’s Duke Bluebeards delphia Orchestra
best known Russian art song
Castle (Bartók’s one-act op- Bayang megiliw ( Ta ga l o g —
(see None But The Lonely
era) Land of the Morning)—Phil-
Heart )
Boccanegra S i m o n e B o c - ippine national anthem
Best of the Bachs Johann Se-
bastian Bach who fathered
canegra (three-act Verdi op-
Beethoven 1st, 2nd, 3rd, 4th,
Carl Philipp Emanuel, Johann
era)
5th, 6th, 7th, 8th, 9th
Boheme La Boheme (Puccini First, Second, Third (Ero-
Christina, Johann Christoph
opera) ica )—Fourth, Fifth, Sixth
Friedrich, Wilhelm Fried-
Bohemian composers A n t o - (Pastoral)—Seventh, Eighth,
mann; known collectively as
die Bäche—the Bachs
nin Dvorák, Leos˘ Janacek, ˘
Ninth (Choral)—symphonies
Gustav Mahler, Bedrich composed by Beethoven
Best of the Bonn Boys L u d -
wig van Beethoven, born in
Smetana, Josef Suk
Beethoven’s Most Popular
Bonn
Boieldieu’s Most Popular
Overture Caliph of Bagdad from Fidelio
Big Seven America’s leading
Boito’s Most Popular Opera Beethoven’s Most Popular
symphony orchestras—Bos-
Mefistofele Piano Concerto No 5 Em-
ton, Chicago, Cleveland, Los
Boris Boris Godunov (Mus- peror
Angeles, New York, Philadel-
phia, Pittsburgh Big Six America’s leading
sorgsky’s opera)
Beethoven’s Most Popular Borodin’s Most Popular
Piano Sonata No 14 Moon-
Opera Prince Igor light
symphony orchestras—Bos-
Brahms’ 4 B r a h m s ’s f o u r Song Adelaide
ton, Chicago, Cleveland, Los
Beethoven’s Most Popular
Angeles, New York, Philadel-
phia
symphonies
Beethoven’s Most Popular
Bird Haydn’s String Quartet in
Brahms’ Most Popular Over-
lure Academic Festival Beggar’s The Beggar’s Opera
Symphony No 5 in C minor
C (opus 33, no 3)
Birds The Birds (Respighi’s
Brahms’ Most Popular Sym-
(ballad opera by John Chris-
phony No 1 in C minor topher Pepusch with libretto
symphonic poem—Gli Uc-
Brandenburg Bach’s Bran- by John Gay)
celli )
denburg Concertos dedicated Belgian composers C h a r l e s
Bizet’s Most Popular Opera
to Duke Christian Ludwig of Bériot, César Franck, André
Carmen
Brandenburg, Germany Grétry, Henri Vieuxtemps
Bizet’s Most Popular Song
Brazilian composers A n t o - Belgian Quartet B e l g i u m ’s
Agnus Dei
nio Carlos Gomes, Mozart best-known classical compos-
Bizet’s Most Popular Work
Camargo Guarnieri, Heitor ers, ranked chronologically,
L’Arlesienne Suites 1 & 2
Villa-Lobos include Grétry, Vieuxtemps,
Black Conductor of the Cen-
Brazilian Trio Brazil’s three Franck, and Ysaÿe
tury Dean Dixon (1915–
best-known classical compos-
Bellini’s Most Popular Opera
ers-Antonio Carlos Gomes, Norma
Black Contralto of the Cen-
Alberto Nepomuceno, and Bells (see The Bells)
tury M a r i a n A n d e r s o n
Heitor Villa-Lobos
Bells of Zionice D vo r á k ’s ˘
Black Key C h o p i n ’s P i a n o
Britten’s Most Popular
Opera Peter Grimes Benvenuto Benvenuto Cellini,
Symphony No 1
Etude No 5 in G-flat major
Black Orchestra Leader of the
Britten’s Most Popular Work
Berlioz opera nicknamed
Young Person’s Guide to the Malvenuto by critics
Century C o u n t B a s i e
Orchestra
Musical Superlatives
Brooklyn composers A a r o n
Compliment B e e t h ove n ’s Copland, George and Ira Ger-
’Cello Symphony S y m p h o n y
String Quartet in G major shwin, Roger Sessions (see
No 2 by Taaffe Zwilic
Opus 18 No 2 New York composers)
Cenerentola La Cenerentola
(Italian—Cinderella)—
Composer-Bandmaster E d -
Bruch’s Most Popular Violin
win Franko Goldman; Ivan Concerto No 1 in G
Rossini opera
Ivanovici; John Philip Sousa Bruckner Conductor E u g e n
Chabrier’s Most Popular
Composer-Chemist A l ex - Jochum
Overture España
ander Borodin Bruckner’s 10 Bruckner’s ten
Chaconne Bach’s Partita No 2
in D minor for solo violin; or
symphonies comprising Die
Composer-Conductor J o - Nullte (The Zero)—and 1
hann Sebastian Bach; Hector through 9 including Roman-
its transcription for the guitar
Berlioz; Carlos Chávez; tische (Romantic, No 4)
o f S eg ov i a b y M a r c
Pincherle; or for piano by
Brahms, Busoni, Men-
Aaron Copland; Edward El-
Bruckner’s Most Popular
gar; Carlos Gomes; Morton Symphony No 4 Romantic
delssohn, Raff, or Schumann;
Gould; George Friedrich bup-bup-bup-bum Beethove-
or for orchestra by Hubay,
Handel; Ferdé Grofé; Howard nian kettle-drumming
Stokowski, or Wilhelmj
Hanson; Aram Khachaturian; Butterfly C h o p i n ’s P i a n o
Charpentier’s Most Popular
Franz Liszt; Gustav Mahler; Etude No 9 in G flat ; Puccini’s
Opera Louise
Felix Mendelssohn; Carl opera Madame Butterfly—a
Chausson’s Most Popular
Nielson; Oscar Straus; Rich- Japanese tragedy
Piece Poème for Violin and
ard Strauss; Franz von Suppé; Calife Le Calife de Bagdad
Orchestra
Peter Ilyich Tchaikovsky; (French—The Caliph of
Chavez’ Most Popular Sym-
Heitor Villa-Lobos; Carl Bagdad)—one-act opera by
phony Sinforria India
Maria von Weber; Richard Boieldieu
Cherubini’s Most Popular
Wagner California composers H e n r y
Overture Anacreon
Chilean composers Pedro Al-
Composer-Conductor-Cellist
Pablo Casals; Victor Herbert Calm Sea Calm Sea and Pros-
Cowell, Harry Partch
lende, Próspero Biquert, Do-
mingo Santa Cruz
Composer-Conductor-Critic
perous Voyage (Goethe’s
Hector Berlioz Fahrt - )—Beethoven’s choral Pedro Umberto Allende
Chilean First C h i l e ’s o u t -
Meeresstille und glückliche
standing classical composer
Composer-Conductor-Educa-
work with orchestra or Men-
tor Leonard Bernstein; delssohn’s concert overture
Chopin’s Most Popular Piano
Walter Damrosch; Howard Campanello Il Campanello di
Concerto No 1 in E minor
Hanson; Edward MacDowell; Notte (Italian—The Night
Choral Beethoven’s Symphony
André Previn Bell)—Donizetti opera
No 9 in D minor whose last
Composer-Conductor-Musi- Carpenter’s Most Popular
movement contains Schiller’s
cologist Hector Berlioz; Ballet Skyscrapers
Ode to Joy sung by chorus
Nicholas Slonimsky; Richard Cavalleria Cavelleria Rusti-
and soloists with full orches-
Wagner cana (Mascagni opera)
tral support
Choreographic Symphony
Composer-Conductor-Organ-
Cavalleria espanola M a s s -
ist-Pianist Camille Saint- enet’s verismo opera La Na-
Ravel’s name for his Daphnis
Saëns, Sir Charles Villiers varraise , also called Calvélle-
et Chloé ballet
Stanford, Sir Arthur S Sulli- ria espanola after Emma
Christmas s o b r i q u e t o f
van Calvé
Corelli’s Concerto Grosso
Opus 6 Number 8 , Rimsky-
Composer-Conductor-Pia-
Cav-Pag Cavalleria Rusticana
nist Beethoven, Bernstein, and I Pagliacci (Italian operas
Korsakov’s Christmas Eve
Britten, Damrosch, Dohna- frequently performed in suc-
opera, Bach’s Christmas Or-
ny i , Fo s s , G o t t s c h a l k , Celestial Gate Symphony No
atorio , Haydn’s Christmas
cession)
Symphony in D minor–No 26
also called Lamentatione
G r a i n g e r, L i s z t , M e n -
delssohn, Prokofiev, Rach- Cellini Benvenuto Cellini (op-
maninoff, Stravinsky, and era by Berlioz, nicknamed
6 by Alan Hovhaness
Clara Robert Schumann’s
VillaLobos Malvenuto by critics)
Symphony No 4 in D minor
Clarinetist of the Century
Benny Goodman (1909–
Composer-Conductor-Pianist-
Cellist of the Century Pa b l o
Statesman Ignacy Jan Pad- Casals (1876–1973)
Classical Prokofiev’s Sym-
erewski
Cellist-Conductor-Composer
phony No 1
Composer-Conductor-Pianist-
Violinist Georges Enesco; Cellist-Conductors B a r-
Pablo Casals
Clock Haydn’s Symphony No
Bedrich Smetana birolli, Casals, Herbert, Kin-
101 in D major
Columbia the Gem of the
Composer-Conductor-Pianist-
dler, Rostropovitch, Tosca-
Violinist Teacher Georges nini, Wallenstein
Ocean symphonic poem by
Charles Ives
Enesco
Musical Superlatives
Composer-Conductor-Violin-
Conductor-Organist E d -
d’Albert’s Most Popular
ist Hans Christian Lumbye;
Opera Tiefland (German— Juventino Rosas; Johann
ouard Nies-Berger; Leopold
lowland) Strauss; Johann Strauss Jr; Jo-
Stokowski; Walter Teutsch
Dalmatian First Yugoslavia’s sef Strauss; Eugéne Ysaye
Conductor-Organist-Pianist
best-known operetta com- Composer-Critic Joseph Mc-
Eduard Nies-Berger, Leopold
poser of the last century— Cabe; Robert Schumann; Carl
Stokowski, and Walter Teut-
Franz von Suppé Shapiro; Virgil Thomson
sch
Conductor-Pianist A s h ke n -
Damnación de Fausto (Span-
Composer-Orchestrators
ish—Damnation of Faust)— Hector Berlioz; Maurice
azy, Barenboim, Dello Joio,
four-part dramatic legend Ravel; Nikolai Rimsky-Kor-
Foss, Ganz, Hendl, Iturbi,
composed by Berlioz sakov; Richard Strauss; Rich-
Mitropoulos, Previn, Solti,
Damnation La Damnation de ard Wagner
Szell, von Karajan, Walter,
Faust (French—The Damna- Composer-Organist J o h a n n
and Zinman
tion of Faust)—four part leg- Sebastian Bach; Anton Bruckner; Dietrich Buxte-
Conductor-Singer P l a c i d o
Domingo
end by Berlioz
Damrosch’s Most Popular
hude; César Franck; Charles
Conductor-Violinist B o s k -
Opera M a n w i t h o u t a Gounod; George Friedrich
Country Handel; Camille Saint-Saëns
ovsky, Brusilow, Burgin,
Giulini; Haitink, Katims;
Danish Composers Niels Vil- Composer-Pianist L u d w i g
(Daniel), Lewis, Menuhin,
van Beethoven; Johannes
Munch, Oisrakh (father and
helm Gade, Friedrich Kuhlau, Hans Christian Lumbye, Carl
Brahms; Frédéric Chopin;
son), Ormandy, Paganini, Pi-
August Nielsen George Gershwin; Percy
Danish Quintet D e n m a r k ’s Grainger; Franz Liszt; Ed-
astro, Schneider, Silverstein, Stern, and Zukerman
five best-known classical ward Macowell; Wolfgang
Connecticut Composer
composers—Buxtehude, Ku- Amadeus Mozart; Sergei
hlau, Lumbye, Gade, Nielsen Prokofiev; Sergei Rachmani-
Charles Ives
Dannazione di Faust (Italian- noff; Robert Schumann
Conservatory Concerto for the
Damnation of Faust)—four- tor Ludwig van Beethoven;
Piano Mendelssohn’s Con-
Composer-Pianist-Conduc-
certo No 1 in G minor opus 25
part legend by Berlioz
Louis Moreau Gottschalk; Danse macabre ( F r e n c h —
Conservatory Concerto for the
Franz Liszt; Sergei Rachman- dance of death)—Saint-Saëns
Violin Mendelssohn’s Con-
inoff, Camille Saint-Saëns work
certo in E opus 64
Composer-Violinist Kreisler, Dante tone poem by Liszt
Contralto of the Century
Paganini, Sarasate, Vieux- Danube Waves I va n ov i c i ’s
Marian Anderson (1897–
temps, Vivaldi, and Wieniaw- fanfare, Anniversary Waltz
ski Daphnis Ravel’s ballet Daph-
Copland’s Most Popular
Computer Composer Yannis nis et Chloé Xenakis
Work Appalachian Spring
Das Judenthum Das Juden- Conductor-Cellist Barbirolli,
Coq Le Coq d’Or (French—
thum in der musik (German— Casals, Rostropovich, Tosca-
The Golden Cock)—Rimsky-
Jewry in Music)—Richard nini, and Wallenstein
Korsakoff opera
Cornerstone of Western
Wagner essay
Conductor of the Century
Das Lied Das Lied von der Arturo Toscanini (1867–
Music Beethoven’s Ninth
Erde (German—The Song of 1957)—Herbert von Karajan
Symphony , according to con-
the Earth)—Mahler work (1908–1989)
ductor Seiji Ozawa
Coronation Mozart’s Mass in
Death and Death and Trans-
Conductor-Chorus Master
figuration (symphonic poem Frank Damrosch, Robert
C or his Piano Concerto in D
by Richard Strauss—Tod und Shaw, Roger Wagner
major (K 537)
Cosi Cosi Fan Tutti (Italian-
Verklärung)
Conductor-Composer
Death and Life G o u n o d ’s George Barati; Pierre Boulez,
Thus Do They All)—opera by
Mors et Vita Mass Stanislaw Skrowaczewski
Mozart
Cuban composers Alejandro
Death and the Maiden Schu-
Conductor-Composer-Pia-
bert’s Quartet No 14 in D mi- nist Leonard Bernstein;
García Caturla, Amadeo
nor Walter Damrosch; André Pre-
Roldán, Eduardo Sanchez de
Fuentes y Peláez
Debussy’s Most Popular Op-
vin
Czar Czar und Zimmermann
era Pelléas and Mélisande
Conductor-Double-Bass
(German—czar and carpen-
Debussy’s Most Popular Piano
Serge Koussevitsky, Henry
Piece Clair de Lune Lewis, Zubin Mehta
ter)—Lortzing opera
Czech Duo Czechoslovakia’s
Debussy’s Most Popular Sym-
Conductor-Educator L e -
phonic Work La Mer onard Bernstein, Walter Dam-
best-known classical compos-
ers Bedrich Smetana and An-
Delibes’s Most Popular Aria
rosch, André Previn
tonin Dvorák ˘
Bell Song in Lakmé
Musical Superlatives
Delibes’s Most Popular Ballet
cient, you free, you mountain-
Elgar’s Most Popular Song
Coppélia
ous North)—Sweden’s na-
Salut d’amour
Delius’s Most Popular Tone
Elisir L’Elisir dAmore (Ital- Poem Over the Hills and
tional anthem
ian—The Elixir of Love)— Far Away
Dukas’s Most Popular Orches-
two-act opera by Donizetti Dichter und Bauer (German-
tral Work Sorcerer’s Ap-
Elvira Madigan motion pic- Poet and Peasant)—von
prentice
ture and nickname of Suppé overture
Dulce Patria (Spanish—sweet
Mozart’s Piano Concerto No Die Frau D i e Fra u O h n e
country)—Chile’s national
21 in C major (K 467) Schatten (German—The
anthem
Emperor Beethoven’s Piano opera by Richard Strauss
Dumb Girl Dumb Girl of Por-
Concerto No 5 in E flat ; Die Nullte ( G e r m a n — T h e
Woman without a Shadow)—
tici (Auber opera—La Muette
Haydn’s String Quartet in C Zero)—Bruckner’s Sym-
de Portici )
(opus 76, no 3) phony No 0 in D minor
Dumky Dvorák ˘ trio
Dutch composers C o r n e l i s
Dopper, Willem Pijper, Jan
Emperor Franz-Joseph of the
Die schöne Galathée ( G e r-
Pieterszoon Sweelinck, Johan
Austro-Hungarian Empire
man—The Beautiful
Wagenaar, Bernard Zweers
rolls down the Prater in the
Galatea)—von Suppé over-
imperial coach drum-roll ture
Dutchman The Flying Dutch-
and trumpet-punctuated fi- Dies Irae ( L a t i n — D a y o f
man (Wagner opera whose
nale of the Emperor Waltz by Wrath)—medieval mass for
German title is Der Fliegende
Johann Strauss Jr the dead theme used by ro-
Holländer )
Dutch Quartet Wa g e n a a r,
Enescol’s Most Popular
mantic composers such as
Orchestral Work R o m a - Berlioz, Liszt, and Rachman-
Pijper, Badings, and Otterloo
nian Rhapsody No 1 inoff
Dvorák’s 9 ˘ Dvorák’s nine ˘
symphonies including Bells
English composers S i r
d’Indy’s Most Popular Work
Granville Bantock, Sir Arnold Symphony on a French Moun-
of Zlonice (No 1) and From
Bax, Benjamin Britten, Will- tain Air for piano and orches-
the New World (No 9)
iam Byrd, Frederick Delius, tra
Dvorák’s ˘ Most Popular Air
Sir Edward Elgar, Gustav Dissonant Mozart’s String
Songs My Mother Taught Me
Holst, Henry Purcell, Sir Quartet in C (K 465)
Dvorák’s ˘ Most Popular Con-
Arthur Sullivan, Thomas Tal- Divine Poem Scriabin’s Sym-
certo Cello Concerto in B
lis, Ralph Vaughan Williams, phony No 3
minor
Sir William Walton Doàn Quân Vietnam national
Dvorák’s ˘ Most Popular Sym-
English Hornist T h o m a s anthem
phony No 9 From the New
World
Stacy of the New York Phil-
Dohnanyi’s Most Popular
harmonic Orchestral Work Va r i a -
Egyptian Piano Concerto No 5
English Nonet England’s nine tions on a Nursery Song
by Saint-Saëns
best-known classical compos- Domestica Symphonia Domes-
Eine Alpensinfonie ( G e r-
ers—Tallis, Byrd, Purcell, tica by Richard Strauss
man—An Alpine Sym-
phony)—Richard Strauss
Sullivan, Elgar, Delius,
Donizetti’s Most Popular
Vaughan Williams, Walton, Opera Lucia di Lammer-
tone poem
Britten moor
Eine Kleine Nachtmusik
(German—A Little Night
English Symphonist R a l p h
Double Bassist of the Century
Vaughan Williams Gary Karr, Serge Koussev-
Music)—Mozart’s Serenade
Eroica Beethoven’s Symphony Dramatic Symphony R o m é o
for String Orchestra (K 525)
itsky
No 3 in E-flat major (Sinfonia et Juliette by Hector Berlioz
Ein Heldenleben (German—
eroica ) Dreigroschen D i e D re i -
A Hero’s Life)—autobio-
Eskimo Opera Hakon Axel Ei- groschenoper (German—The
graphical symphonic poem
nar Boørresen’s opera about Threepenny Opera)—Kurt
by Richard Strauss
Greenland Eskimos (pro- Weill’s modern reworking of
Ein Morgen, ein Mittag, ein
Abend in Wien (German—
duced in Copenhagen in 1921 the Beggar’s Opera
Morning, Noon, and Night in
under the title of Kaddara) Dreigroschenoper (German-
Vienna)—von Suppé overture
Eugen Eugen Onegin (Tchaik- Threepenny Opera)—Kurt
Ein Sommernachtstraunt
ovsky opera Weill work with a libretto by
(German—A Midsummer
Evgeny Onyegin (Russian— Bertolt Brecht
N i g h t ’s D r e a m ) — M e n -
Eugene Onegin)—Tchaik- Drum Roll Haydn’s Symphony
delssohn overture
ovsky’s most popular opera No 103 in E-flat majo r
Elektra Richard Strauss trag-
based on a poem by Pushkin Du Gamla, Du Fria D u
edy
Elgar’s Most Popular Orches-
Falla’s (de Falla’s) Most Pop-
gamla, du fria, du fjällhöga
ular Work Nights in the Nord (Swedish—You an-
tral Work Enigma Varia-
tions
Gardens of Spain
Musical Superlatives
Fanciulla La Fanciulla del
First Bohemian Romantic
Foremost French Classical
West (Italian—The Girl of the
Composer Jean Baptiste Golden West)—Puccini opera
Composer Bedrich Smet-
Lully whose libretto recalls David
ana
First Czech Romantic Com-
Foremost French Composer
Hector Berlioz Fantastique Symphonie Fan-
Belasco’s play
poser Antonin Dvorák ˘
First Danish Romantic Com-
Foremost French Modern
Composer Maurice Ravel tique Symphony)—com-
tastique (French—Fantas-
poser Friedrich Kuhlau
First Dutch Romantic Com-
Foremost German Classical
posed by Berlioz who
Composer Johann Sebas- subtitled it Episode de la Vie
poser Johannes Verhulst
tian Bach d’un Artiste (Episode in the
First English Romantic Com-
poser Sir Arthur Sullivan
Life of an Artist)
Foremost German Composer
Farewell Beethoven’s Piano Ludwig van Beethoven
First Finnish Romantic Com-
poser Armas Järnefelt
Foremost German Modern
(opus 111)—Haydn’s Sym- Composer Richard Strauss
Sonata No 32 in C minor
First French Romantic Com-
poser Hector Berlioz
phony No 45 in F-sharp mi-
Foremost Hungarian Com-
nor poser Franz Liszt
First German Romantic Com-
poser L u d w i g va n
Fate Beethoven’s Symphony
Foremost Irish Composer
Beethoven
No 5 in C minor (see Victory)
First Hungarian Romantic
William Vincent Wallace
Faurés Most Popular Work
Composer Franz Liszt
Foremost Italian Composer
Giuseppe Verdi tra
Elégie for Cello and Orches-
First Irish Romantic Com-
poser William Wallace
Foremost Mexican Composer
Faust Damnation of Faust by
Carlos Chávez Berlioz; Faust opera by
First Italian Romantic Com-
poser Gioacchino Rossini
Foremost Musical Romanti-
cist Berlioz, Liszt, or Schu- Liszt, Faust Overtures by
Gounod, Faust Symphony by
First Mexican Romantic Com-
mann Schumann and Wagner
poser Manuel Ponce
Fausts Verdammnis (German— First Norwegian Romantic Composer Christian Sind- poser Edvard Hagerup Grieg
Foremost Norwegian Com-
Damnation of Faust)—dra- matic legend composed by
ing
Foremost Polish Composer
Frédéric François Chopin Berlioz
First Polish Romantic Com-
Favorite American Anthems
poser Frédéric Chopin
Foremost Romanian Com-
poser Georges Enesco ; God
America the Beautiful
First Romanian Romantic
Foremost Romantic Com-
Bless America ; My Country
Composer Ludwig Wiest
poser Hector Berlioz ’tis of Thee ; Star-Spangled
First Russian Romantic Com-
Foremost Russian Composer Favorite Canadian Anthems
Banne r
poser Mikhail Glinka
Pyotr Ilyich Tchaikovsky O Canada! ; The Maple Leaf
Fledermaus Die Fledermaus
(German—The Bat)—oper-
Foremost Spanish Composer
Forever
etta by Johann Strauss, Jr
Manuel de Falla
Favorite Christmas Carol
Forza La Forza del Destino (German—
Flotow’s (von Flotow’s) Most
Heilige Nacht (Italian—The Force of Des- Holy Night)
Popular Overture Martha
tiny)—Verdi four-act opera FBI in War and Peace Holly-
Flutist of the Century J e a n -
Pierre Rampal; James Gal-
Foss’s Most Popular Work
wood version of Prokofiev’s
Night Music for Brasses and suite entitled “The Love for
way
Orchestra Three Oranges”
Forellen Quintet (see Trout)
Fountains Le Fontane di Roma Fiddlers Three Isaac Stern,
Foremost Austrian Composer
(Respighi—The Fountains of Itzhak Perlman, Pinchas Zuk-
Wolfgang Amadeus Mozart
Rome) erman
Foremost Belgian Composer
Four Saints Four Saints in Fidelio Beethoven opera
César Franck
Three Acts , opera by Virgil Fingal’s Höhle ( G e r m a n —
Foremost Belgian Operatic
Conductor André Cluytens
Thompson with text by Ger-
trude Stein delssohn overture also called
F i n g a l ’s H o l e ) — M e n -
Foremost Bohemian Com-
Four Seasons A n t o n i o Hebrides or Fingal’s Cave
poser Antonin Dvorák ˘
Vivaldi’s concerto Le Quattro Finnish composers A r m a s
Foremost Brazilian Com-
Staggion i Järnefelt, Selim Palmgren,
poser Heitor Villa-Lobos
Four Temperaments H i n - Jan Sibelius
Foremost Dutch Composer
demith composition for string Finnish First Finland’s best-
Jan Pieterszoon Sweelinck
orchestra; Nielsen’s Sym- known classical composer—
Foremost English Composers
phony No 2 Jean Sibelius
Sir Edward Elgar, Ralph
Vaughan Williams
Fra Diavolo Michele Pezza—
Finnish National Composer
leading character in Auber’s Jean Sibelius
Foremost Finnish Composer
Jean Sibelius
opera Fra Diavolo
Musical Superlatives
Francesca Fra n c e s c a d a
German Baroque Masters
Goldman’s Most Popular
Rimini (Tchaikovsky sym-
March On the Mall phonic fantasia, Zandonai
Johann Sebastian Bach,
George Frideric Handel, Hei-
Goldmark’s Most Popular
four-act opera)
nrich Schütz
Symphony Rustic Wedding
Franck’s Most Popular Work
German composers J o h a n n
Gomes’s Most Popular Over-
ture Il Guarany ano & Orchestra
Symphonic Variations for Pi-
Sebastian Bach and his sons,
Ludwig van Beethoven, Jo-
Gould’s Most Popular Orches-
Franck symphony C é s a r
tral Piece American Salute Franck’s Symphony in D
hannes Brahms, Christoph
Willibald von Glück, George
Gounod’s Most Popular
Freischütz Der FreischUtz
Opera Faust (German—The Free-
Friedrich Handel, Paul Hin-
Goyescas Enrique Granados shooter)—von Weber opera
demith, Felix Mendelssohn,
Robert Schumann, Karlheinz
opera
French Baroque Masters
Stockhausen, Richard
Granados’ Most Popular
Jean Baptiste Lully, Jean
Opera Goyescas Philippe Rameau
Strauss, Richard Wagner
Grand Canyon Grand Canyon French composers H e c t o r
German Fourteen G e r-
Suite —symphonic work by Berlioz, Georges Bizet,
many’s fourteen best-known
Ferdé Grofé François Boïeldieu, Pierre
classical composers: Tele-
Great The Great Symphony No Boulez, Emmanuel Chabrier,
mann, Handel, Glück,
9 in C major by Schubert (for- Ernest Chausson, François
Beethoven, von Weber, Men-
merly No 7) Couperin, Achille-Claude
delssohn, Schumann, Wagner,
Great C major S c h u b e r t ’s Debussy, Vincent d’Indy, Paul
Brahms, Bruch, Strauss,
Symphony No 9 Dukas, Gabriel Fauré, Ben-
Schoenberg, Hindemith,
Great Organ Mass H a y d n ’s jamin Godard, Charles
Weill
E-flat Grosse Orgelmesse Gounod, Jacnegger, Edouard
German-Polish Composer-
Pianist-Teacher F r a n z
Greatest Russian Romantic
Lalo, Jules Massenet, Gia-
Composer P y o t r I l y i c h como Meyerbeer, Jacques Of-
Xavier Scharwenka
Tchaikovsky fenbach, Jean Philippe
Gershwin’s Most Popular
Greek Composers N i c h o l a s Rameau, Camille Saint-
Opera Porgy and Bess
Mantzaros, Dimitri Saëns, Ambroise Thomas
Gershwin’s Most Popular
Mitropoulos, Iannis Xenakis French Dozen F r a n c e ’s
Work Rhapsody in Blue
Greek First Iannis Xenakis— twelve best-known classical
Ghost Beethoven trio in D ma-
best-known classical com- composers—Lully, Couperin,
jor
poser of modern Greece Rameau, Berlioz, Gounod,
Gianni Gianni Schicchi (Puc-
Offenbach, Saint-Saëns, Bi-
cini opera)
Grieg’s Most Popular Orches-
tral Suite Peer Gynt Ravel, Milhaud
zet, Massenet, Debussy,
Gioconda La Gioconda (Pon-
chielli opera)
Grieg’s Most Popular Song
Ich liebe Dich (German—I Frog Haydn’s String Quartet
Glazunov 6 Alexander Gla-
Love You) in D (opus 50, no 6)
zunov’s six symphonies
Glazunov’s Most Popular Bal-
Grieg’s Most Popular Work
From the Halls Fro m t h e
Concerto in A minor for Pi- Halls of Montezuma to the
let The Seasons
ano Shores of Tripoli (US Marine
Gliere’s Most Popular Sym-
tral Piece The White Pea- From My Life S m e t a n a ’s
Corps anthem)
phony No 3—Ilya Mouro-
Griffes’ Most Popular Orches-
cock String Quartet No 1 in E mi-
metz
Grimes Peter Grimes (opera by nor
Glinka’s Most Popular Aria
Sussanin’s in A Life for the
Britten)
From the New World
Tsar Ivan Sussanin
Grofé’s Most Popular Orches-
Dvorák’s ˘ Symphony No 9
tral Suite Grand Canyon (formerly No 5)
Glinka’s Most Popular Work
Russlan & Ludmila Overture
Guatemala feliz ( S p a n i s h —
Full Moon and Empty Arms
happy Guatemala)—Guate- Rachmaninoff’s Second Pi-
Glocken von Zlonice ( G e r-
mala national anthem ano Concerto
man—Bells of Zlonice)—
Guitarist of the Century A n - Funeral March Sonata Piano
Dvorák’s ˘ First Symphony
drés Segovia (1893–1987) Sonata in B-flat minor by
Glück’s (von Glück’s)—Most
Haffner Mozart’s Serenade Chopin
Popular Opera O r f e o e d
Suite in D or his Symphony Gaelic Gaelic Symphony by
Euridice
No 35 in D majo r; both honor Mrs HHA Beach (first sym-
Goldberg Bach’s Goldberg
t h e B u rg o m e i s t e r o f phonic work by an American
Variations ; composed for a
Salzburg—Sigmund Haffner woman)
keyboard pupil named Johann
Gottlieb Goldberg
Halévy’s Most Popular
Georgia composer Wa l l i n g -
Opera La Juive (French— ford Riegger
Golden Flutist Georges Bar-
rère
The Jewess)
Musical Superlatives
Halka (Polish—Helen)—Mo-
Igor Prince Igor (opera by niuszko’s most popular opera
Hebrides Mendelssohn over-
Borodin) and the most popular Polish
ture, also called Fingal’s
Il Distrato (Italian—The Ab- one
Cave
s e n t - M i n d e d ) — H a y d n ’s Hamlet funeral march by Ber-
Hercules of Music Christoph
Symphony No 60 in C major lioz; fantasy overture by
Willibald Glück
Ilia Mourometz G l i e r e ’s Tchaikovsky; opera by Tho-
Hindemith’s Most Popular
Symphony No.3 mas
Orchestral Work M a t h i s
der Maler (German—Mathis
I’m Always Chasing Rainbows
Hammerklavier ( G e r m a n
Chopin’s Fantasie Impromptu hammer, keyboard)—piano-
the Painter)
in C-sharp minor (popular- forte; Beethoven Piano Sona-
Historical Symphony No 6 of
ized) tas 28 and 29 in B flat (opus
Ludwig Spohr
Imperial Haydn’s Symphony 106)
Hobo Composer Harry Partch
No 99 in E flat Ham ’n’ Eggs m u s i c i a n ’s
(inventor of the forty-three
Impresario Mozart opera nickname for Cavalleria Rus-
microtone to the octave scale)
Holländer D i e F l i eg e n d e
In an 18th-century Drawing
ticana and I Pagliacci as these
Room Mozart’s Piano So- two go well together
Holländer (German—The
Flying Dutchman)—opera by
nata in C
Handel’s Most Popular Air
Indian MacDowell’s Suite No Ombra mai fu (Italian—
Wagner
2 for Orchestra introducing Shade of My Tree)—from
Holst’s Most Popular Orches-
American Indian themes Xerxes, best known as Han-
tral Work The Planets
Inextinguishable N i e l s e n ’s del’s Largo
Holy Mass Haydn’s Heiligesse
in B flat
Symphony No 4
Honnegar’s Most Popular
Handel’s Most Popular Orato-
Inno de Mameli ( I t a l i a n —
rio Messiah Hymn of Mameli)—Italy’s
Orchestral Work Pa c i fi c
national anthem honoring
Handel’s Most Popular
Goffredo Mameli Orchestral Suite Fi re -
Hornist of the Century Den-
nis Brain (1921–1957)
Ippolitov-Ivanov’s Most Popu-
lar Orchestral Work Cau- Hänsel Hänsel und Gretel
works
Horseman H a y d n ’s S t r i n g
casian Sketches (Humperdinck’s Christmas-
Quartet in G minor (opus 74,
Irish Irish Rhapsody by Victor time entertainment and opera
no 3)
Herbert; Irish Symphony by about a brother, sister, par-
Hugh Hugh the Drover—op-
Sir Charles Villiers Stanford; ents, and an old witch in a
era by Ralph Vaughan Will-
Irish Symphon y by Sir Hamil- gingerbread house)
iams)
Huguenots L e s H u g u e n o t s
ton Harty
Hanson’s Most Popular Sym-
Irish composers Wi l l i a m phony No 2—Romantic
(French—The Huguenots)—
Balfe, Sir Hamilton Harty, Sir Harold Harold en Italie (Ital-
Meyerbeer
Charles Villiers Stanford, ian—Harold in Italy)—Ber-
Humperdinck’s Most Popular
William Wallace, Charles lioz symphony with viola solo
Opera Hänsel und Gretel
Wood Harp B e e t h ove n ’s S t r i n g
Hungarian-born Eminent
Irish First I r e l a n d ’s b e s t - Quartet in E-flat major (opus
American Conductors
known cellist-composer-con- 74)—Chopin’s Piano Etude
Antal Dorati, Eugene Or-
ductor was Victor Herbert, re- in A flat (opus 25, no 1)
mandy, Fritz Reiner, Sir
membered for his operettas Harpist of the Century A l -
Georg Solti, George Szell
produced in the United States, fredo Casella (1883–1947)
Hungarian composers B é l a
Bartók, Ernst Dohnanyi,
where he became a natural-
Harpsichordist of the Cen-
ized citizen tury Wanda Landowska
Zoltan Kodaly, Franz Liszt
Israel Ernst Bloch symphony (1877–1959)
Hungarian Quartet H u n -
Israeli National Composer Harris’s Most Popular Piece
gary’s four best-known clas-
Ernst Bloch Cimarron (symphonic over-
sical composers—Liszt,
Italian Mendelssohn’s Sym- ture)
Dohnanyi, Bartók, Kodaly
phony No 4 in A major Hatikvah ( H e b r ew — T h e
Hunting M o z a r t ’s S t r i n g
Quartet in B flat (K 458)
Italiana Italiana in Algeri
(Italian—The Italian Girl in Hope)—Israeli anthem
Husitská Dvorák’s ˘ overture
Algiers)—Rossini opera Haydn’s 104 F r a n z J o s e p h
honoring Bohemian patriot
Italian Baroque Masters A t - Haydn’s 104 symphonies
Jan Huss
Hymn of Praise M e n d e l -
cangelo Corelli, Claudio
Haydn’s Most Popular Orato-
Monteverdi, Antonio Vivaldi rio The Seasons
ssohn’s Symphony No 2 in B-
flat major (also known as
Italian composers To m a s o
Haydn’s Most Popular Sym-
Albinoni, Vincinzo Bellini, phony No 104—London
Lobgesang )
Arrigo Boito, Ferruccio Hebrew Opera-Oratorio Sam-
Ibert’s Most Popular Orches-
Busoni, Alfredo Casella, son et Delila by Saint Saëns
tral Suite E s c a l e s
(French—Ports of Call)
Mario Caslnuovo-Tedesco,
Musical Superlatives
Luigi Cherubini, Domenico
L’Arlésienne Bizet’s suites No Cimarosa, Muzio Clementi,
Khachaturian’s Most Popular
1 and No 2 Arcangelo Corelli, Luigi Dal-
Ballet Gayne
Khovantchina M u s s o rg s ky
Last American Romantic
lapicocla, Andrea and Gio-
Composer Edward Mac- vanni Gabrieli, Giuseppe and
opera completed after his
Dowell Tommaso Giordani, Umberto
death by Rimsky-Korsakoff
Knyaz Knyáz Igor (Russian-
Last Austrian Romantic Com-
poser Anton Bruckner Claudio Monteverdi, Gio-
Giordano, Pietro Mascagni,
Prince Igor)—Borodin’s un-
completed opera partly or-
Last Belgian Romantic Com-
vanni Palestrina, Giovanni
poser César Franck Pergolese, Giacomo Puccini,
chestrated by Glazunov and
Rimsky-Korsakov
Last Bohemian Romantic
Composer Gustav Mahler acchino Rossini, Alessandro
Ottorino Respighi, Gio-
Kodaly’s Most Popular Suite
Háry János
Last Brazilian Romantic Com-
and Domenico Scarlatti,
Komische Opera (German—
poser Heitor Villa-Lobos
F r a n c i s c o Pa o l o To s t i , Giuseppe Verdi, Antonio
comic opera)—Berlin Opera
Last Czech Romantic Com-
poser Josef Suk Vivaldi, Ermanno Wolf-Fer-
House
rari, Riccardo Zandonai
Kreutzer Beethoven’s Sonata
Last Danish Romantic Com-
poser Carl Nielsen Italian Fourteen Italy’s best-
in A minor
(opus 47)—for vi-
known classical composers—
olin and piano; dedicated to
Last Dutch Romantic Com-
poser Johan Wagenaar cobaldi, Vivaldi, Scarlatti (2),
Palestrina, Monteverdi, Fes-
his friend the violinist Rudol-
phe Kreutzer
Last English Romantic Com-
Cherubini, Paganini, Rossini,
Kutchka Mogutchaya Kutchka
poser Sir Edward Elgar
Last Finnish Romantic Com-
poser Jean Sibelius Italian Girl Italian Girl in Al-
Donizetti, Bellini, Verdi, Puc-
(Russian—Mighty Hand-
cini, Respighi
ful)—Balakirev, Borodin,
Cui, Mussorgsky, and Rim-
Last French Romantic Com-
poser Camille Saint-Saëns giers (Rossini opera)
sky-Korsakov
Ivan the Terrible R i m s ky -
La Chasse Haydn’s Quartet in
Last German Romantic Com-
poser Richard Strauss Korsakoff opera
(opus 1, No 1)— B flat
Last Hungarian Romantic
Ives 4 four symphonies by
Haydn’s Symphony No 73 in
Charles Ives
D major (The Hunt)
Composer E r n s t vo n Dohnanyi
Ives’s Most Popular Orches-
La Damnation de Faust
Last Irish Romantic Com-
tral Work The Fourth of
poser Charles Stanford July
(French—The Damnation of
Faust)—four-part dramatic
Last Italian Romantic Com-
Jeremiah Bernstein’s Sym- phony No 1 commemorating
legend composed by Berlioz
Lady Macbeth Lady Macbeth
poser Giacomo Puccini
Last Mexican Romantic Com-
the prophet Jeremiah and his
poser Carlos Chávez prophecies
of the Mtsensk District ; Lady Macbeth of Mzensk (Shosta-
Last Norwegian Romantic
Jeu des cartes (French—deck
Composer Edvard Grieg of cards)—Stravinsky ballet
kovich opera known to Rus- sians as Katerina Izmaylova)
Last Polish Romantic Com-
Joke Haydn’s String Quartet in
Lakmé Delibes opera
poser Stanislaw Moniuszko
E flat (opus 33, no 2)
Lalo’s Most Popular Over-
ture Le Roi d’Ys (French—
Last Romanian Romantic
Juive La Juive (French—The
Composer Georges Enesco Jewess)—Halévy opera
The King of Ys)
Last Russian Romantic Com-
Jupiter ( L a t i n — Z e u s ) —
poser Sergei Vasilievich Mozart’s Symphony No 41 in
Lalo’s Most Popular Work
Symphonie espagnole for vio-
Rachmaninoff
Last Spanish Romantic Com- Kabalevsky’s Most Popular
C major —his last
lin and orchestra
poser Manuel de Falla Overture Colas Breugnon
Lamentatione Haydn’s Sym-
phony No 26 in D minor also
Last Swedish Romantic Com-
Kaddish B e r n s t e i n ’s S y m -
poser Kurt Atterberg phony No 3
called the Christmas Sym-
phony
Last of the American Roman-
Kaiser Kaiser-Waltzer (Ger-
tic Composers E d wa r d man—Emperor Waltz)—Jo-
Land of Hope and Glory E l -
MacDowell hann Strauss, Jr’s opus 437
gar’s Pomp and Circum-
stance , March No 1
Last of the Australian Roman-
Kansas City Composer Vi r-
tic Composers P e r cy gil Thomson
La Reine ( F r e n c h — T h e
Grainger Katerina Katerina Izmaylova
Queen)—Haydn’s Symphony
No 85 in B-flat major
Last of the Austrian Romantic
(Russian title of Shostakov-
Composers Gustav Mahler ich’s opera Lady Macbeth of
Largest Opera House Metro-
politan Opera House in New
Last of the Belgian Romantic
Composers César Franck Kettledrum Haydn’s Kettle-
the Mtsensk District )
York’s Lincoln Center seats
Last of the Bohemian Roman-
drum Mass in C major
tic Composers A n t o n í n (Paukenmesse)
Lark Haydn’s String Quartet
in D (opus 64, no 5)
Dvorák ˘
Musical Superlatives
Last of the Brazilian Romantic
Lone Ranger gallop music at Composers Heitor Villa-
Le Divin Poeme ( F r e n c h —
the end of Rossini’s William Lobos
The Divine Poem)—Scri-
abin’s Symphony No 3
Tell overture
Last of the Danish Romantic
Longest Opera Die Meisters- Composers Carl Nielsen
Lehár’s Most Popular Oper-
etta The Merry Widow
inger von Nürnberg by Wag-
Last of the Dutch Romantic
ner (performance time: 5 Composers J o h a n Wa -
Leichte Kavallerie (German—
hours 15 minutes) genaar
Light Cavalry)—von Suppé
overture
Longest Symphony Sympho-
Last of the English Romantic
ny No 3 in D mino r by Mahler Composers Sir Edward El-
Lélio Lélio, ou Le Retour á la
(performance time: 1 hour 40 gar
vie (French—Lé1io, or the
Return to Life)—Berlioz
minutes)
Last of the Finnish Romantic
Loudest Opera Damnation of Composers Jean Sibelius
monodrama sequel to his
Symphonie fantastique
Faust by Berlioz with its Ride
Last of the French Opéra
to the Abyss Bouffe Composers Jacques
Loudest Oratorio R e q u i e m Offenbach
Lenin Shostakovich’s Sym-
phony No 12
Leningrad S h o s t a k ov i c h ’s
by Berlioz (score calls for a
Last of the German Romantic
chorus of 210 and an orches- Composers Richard Strauss
Symphony No 7
tra of 217)
Leoncavallo’s Most Popular
Last of the Great Romantic
Loudest Symphony Mahler’s
Composers Carlos Chavez, Tragic Symphony No 6 in A
Opera I Pagliacci (Ital-
Mexico; Claude Achille De- minor
ian—The Players)
Loudest Undersea Songs ˘
Les Adieux Beethoven’s Piano
Dvorák, Czechoslovakia; sounds of humpback whales
bussy, France; Antonin
Sonata No 23 in E flat (opus
Georges Enesco, Romania; Lucia Lucia di Lammermoor
81a)—Les Adieux, l’absence,
Manuel de Falla, Spain; Ed- (three-act opera by Donizetti)
et le retour —the farewell, the
absence, and the return
vard Hagerup Grieg, Norway;
Lully’s Most Popular Ballet
Alceste States; Gustav Mahler, Aus-
Howard Hanson, United
L’Heure L’Heure Espagnole
(French—The Spanish
MacDowell’s Most Popular
tria; August Nielsen, Den-
Piano Concerto No 2 in D mark; Giacomo Puccini, It-
Hour)—Ravel operatic farce
minor aly; Sergei Rachmaninoff,
Liadov’s Most Popular Sym-
Magic Flute Mozart opera Russia; Richard Strauss, Ger-
phonic Poem Kikimora
Mahagonny Aufstieg und Fall many; Ralph Vaughan Will-
l’Impériale H a y d n ’s S y m -
der Stadt Mahagonny (Ger- iams, Britain; and Heitor
phony No 53 in D major
man—Rise and Fall of the Villa-Lobos, Brazil
Linz Mozart’s Symphony No
36 in C major named for the
City of Mahagonny)—opera
Last of the Hungarian Roman-
by Kurt Weill with text by tic Composers Franz Liszt
Austrian town of Linz
Liszt’s Most Popular Sym-
Bertolt Brecht
Last of the Italian Opera Buffa
Mahler’s 10 M a h l e r ’s t e n Composers Rossini
phonic Poem Les Preludes
Liszt’s Most Popular Waltz
symphonies including the
Last of the Italian Romantic
Resurrection (No 2), the Sym- Composers Ottorino Re-
Mephisto
phony of a Thousand (No 8), spighi
Little Schubert’s Symphony No
6 in C
and the Unfinished (No 10)
Last of the Norwegian Roman-
Cycle Das Lied von der Sinding
Little C major S c h u b e r t ’s
Mahler’s Most Popular Song
tic Composers C h r i s t i a n
Symphony No 6
Erde (German—The Song of
Little Russian Tchaikovsky’s
Last of the Polish Romantic
the Earth)
Symphony No 2 in C mino r
erewski Symphony No 1 in D major—
Composers Ignace Jan Pad-
Mahler’s Most Popular Work
Lobgesang (German—Hymn
of Praise)—Mendelssohn’s
Last of the Romantic Roma-
the Titan
nian Composers G e o rg e s Maine Composer Walter Pis-
Symphony No 2 in B-flat ma-
ton Enesco
jor
Lohengrin Wagner’s three-act
Malvenuto nickname critics
Last of the Russian Romantic
bestowed on the Berlioz op- Composers Sergei Rach-
romantic opera
era Benvenuto Cellini maninoff
London Haydn’s Trios No 1
and 2 (for two flutes and
Mamelles Les Mamelles de
Last of the Spanish Romantic
Ti r é s i a s (French—The Composers M a n u e l d e
cello)—Haydn’s Symphony
Breasts of Tiresias)—comic Falla
No 104 in D major ; Sym-
phony No 2 by Vaughan Wil-
opera by Poulenc
Last of the Swedish Romantic
Manfred Manfred Overture Composers Kurt Atterberg
liams—A London Symphony
London Suite London Again
(Schumann)—Manfred Sym-
Leading Bel Canto Composer
phony (Tchaikovsky) Gioacchino Rossini
or London Every Day (sym-
phonic suite by Eric Coates)
Manon Massenet opera
Musical Superlatives
Manon Lescaut Puccini opera
Mendelssohn’s Most Popular
Most Admired and Most Dis-
Manzoni Mass Ve r d i ’s R e -
Symphony No 4 in A ma-
cussed Anglo-American
quiem
jor—the Italian
Conductor L e o p o l d
Mascagni’s Most Popular
Stokowski Opera Cavalleria Rusticana
Mendelssohn’s Most Popular
Work Concerto in E minor
Most Amazing Composer
Wolfgang Arnadeus Mozart Masonic Composer Wo l f -
(Italian—Rustic Chivalry)
for Violin
Menotti’s Most Popular
Most Famous Operatic Inter-
gang Amadeus Mozart who
mezzi Cavalleria Rusticana was a freemason and alluded
Work Amahl and the Night
by Pietro Mascagni to the ethical laws of Masonry
Visitors
Mexican Composer-Conduc-
Most Mispronounced Sym-
in his opera The Magic Flute
phony Tchaikovsky’s Sym- (Il Flauto Magico, La Flûte
tor Carlos Chávez or Juven-
phony No 6—Pathétique Enchantée , Die Zauber-
tino Rosas
Mexican Composers C a r l o s
Most Popular American Com-
posers of Musicals Gersh- Music (Maurerische Trauer-
flöte )—his Masonic Funeral
Chávez, Manuel Ponce, Sil-
vestre Revueltas, Juventino
musik )—also reveals his affil-
win—Porgy and Bess, Rodg- iation with the Masonic Order
Rosas
Mexican Trio Mexico’s three
ers and Hammerstein—Okla-
Massachusetts Composers
homa! and South Pacific
best-known classical compos-
Most Popular American Folk
Leonard Bernstein, William
Opera Gershwin’s Porgy Billings, Alan Hovhaness,
ers—Manuel Ponce, Carlos
and Bess ell Mason
Chávez, Silvestre Revueltas
Most Popular American Massenet’s Most Popular Bal-
Daniel Gregory Mason, Low-
Mezzo-Soprano of the Cen-
March Sousa’s Stars and let Le Cid
tury Christa Ludwig (1928– )
Stripes Forever Mathis Mathis der Mahler
Midsommarvaka ( S w e d i s h -
Midsummer Fete)—Hugo
Alvén’s rhapsody for orches-
Most Popular American Musi-
(German—Mathias
cal Show Chorus Line Grünewald the Painter)—
tra
Midsummer Night’s Dream
Most Popular Anglo-Ameri-
Save the Queen , the same Ma Vlast (Czechoslovakia—
symphonic suite by Hin-
can Anthem Britain’s God demith
Mendelssohn’s incidental
tune as America’s My Coun- My Fatherland)—Smetana’s
music to Shakespeare’s play
try ’tis of Thee symphonic poem
Mighty Five Balakirev, Boro-
din, Cui, Mussorgsky, and
Rimsky-Korsakov
Most Popular Austrian
May Day Shostakovich’s Sym-
Operas Mozart’s Don Gio- phony No 3 also called May
Milhaud’s Most Popular Bal-
vanni , Johann Strauss’s Fled- First
let Le Boeuf sur le toit
ermaus May Night overture by Rim-
(French—The Ox on the
Roof)
Most Popular Beethoven
Piano Concerto Concerto Meerestille M e n d e l s s o h n ’s
sky-Korsakov
Militaire Paganini’s Violin Ca-
No 5 in E flat—Emperor Calm Sea and Prosperous
price (opus 1, no 14)
Military Haydn’s Symphony
Most Popular Belgian Sym-
Voyage overture more cor-
phony Franck’s Symphony rectly translated as Becalmed
No 100 in G major
in D minor at Sea and Prosperous Voyage
Minute Chopin’s Waltz in D
flat (opus 64, no 1)
Most Popular Brahms Piano
Meftstofele (Italian—Mephis-
Concerto Concerto No 1 in topheles)—Boito’s opera
Miracle Haydn’s Symphony
D minor about the Faust legend
No 96 in D major
Moïse ( F r e n c h — M o s e s ) —
Most Popular Canadian
Meistersinger Die Meisters-
Anthems O Canada! and inger von Nürnberg (Wag-
Rossini opera
The Maple Leaf Forever ner’s opera about The Mas-
Montreal Composer H e n r y
Dreyfus Brant
Most Popular Cello Concer-
tos Dvorák ˘ Cello Concerto Helusine Dieschdne Melusine
tersingers of Nuremberg)
Moonlight Beethoven’s Piano
in B minor; Lalo in D minor, (German—lovely Melu-
Sonata No 14 in C-sharp mi-
Saint-Saëns No 1 in A minor sina)—Mendelssohn overture
nor (opus 27, no 2)—Sonata
quasi una Fantasia
Most Popular Chopin Piano
Mendelssohn’s 5 M e n -
Concerto Concerto No 2 in delssohn’s five symphonies
Moonlight and Roses Tchaik-
F minor including Lobgesang (No 2),
ovsky’s Andante Cantabile
movement, Symphony No 5 in
Most Popular Christmas
Scottish (No 3), Italian (No
Carol Stille Nacht, Heilige 4), and Reformation (No 5)
E minor also called Moon
Love
N a ch t ( G e r m a n— S i l e n t
Mendelssohn’s Most Popular
Night, Holy Night) Oratorio Elijah
Mors et Vita Gounod’s Death
Most Popular Czech Sym- Mendelssohn’s Most Popular
and Life requiem
phony Dvorák ˘ Symphony Overture M i d s u m m e r
Moses M o s e s i n E g y p t —
No 9 in E minor —From the Night’s Dream
Rossini’s sacred melodrama
in four acts (Mosé in Egitto)
New World
Musical Superlatives
Most Popular English Con-
Most Popular Operas in
Most Popular Russian Sym-
ductor Sir Thomas Bee-
phony Tchaikovsky’s Sym- cham
French Carmen by Bizet,
Faust by Gounod, Samson
phony No 4 in F minor
Most Popular English Oper-
and Delilah by Saint-Saëns,
Most Popular Saint-Saëns
etta The Mikado by Gilbert
Piano Concerto Concerto and Sullivan
The Trojans by Berlioz
Most Popular Operas in Ger-
No 2 in G minor
Most Popular English Orches-
man Fidelio by Beethoven,
Most Popular Spanish Suite
tral Work Elgar’s Enigma
Fledermaus by Johann
for Piano and Orchestra
Variations
Strauss, Freischütz by von
Most Popular French Classic
Rapsodia española by Al-
Opera von Glück’s Ip- béniz, Nights in the Gardens
Weber, Rosenkavalier by Ri-
higénie en Aulide (Iphigenia of Spain by de Falla
chard Strauss
Most Popular Operas in Ital-
in Aulus)
Most Popular Symphonic
ian Aida by Verdi, Barber of
Most Popular French Opera
Poem Liszt’s Les Préludes
Seville
by Rossini, Don Gio-
Buffa Orpheus in the Under-
Most Popular Symphonies
world by Offenbach
vanni by Mozart, Madama Butterfly
Beethoven’s Symphony No 5
Most Popular French Operas
in C minor (also known as the Bizet’s Carmen, Gounod’s
by Puccini
Victory Symphony and Fifth), Faust
Most Popular Operas in Rus-
sian A Life for the Czar by
B e r l i o z ’s Fa n t a s t i q u e ,
Most Popular French Roman-
Dvorák’s ˘ From the New tic Opera Bizet’s Carmen
Glinka, Boris Godounov by
Mussorgsky, Eugen Onegin
World , Tchaikovsky’s Fourth
Most Popular French Sym-
by Tchaikovsky, Prince Igor
by Borodin
Most Popular Trio
Beethoven’s Archduke for in D minor
phony Franck’s Symphony
Most Popular Overtures
cello, piano, and violin
Most Popular German Comic
Berlioz’s Benvenuto Cellini;
Most Popular Viola Concerto
Harold in Italy by Berlioz Der Rosenkavalier
Opera Richard Strauss’s
Rosini’s William Tell; Tchaik- ovsky’s 1812 and Romeo and
Most Popular Violin Concer- Most Popular German
tos Beethoven D major, Operas Beethoven’s Fide-
Juliet ; Wagner’s Tannhäser
Most Popular Piano Concer-
Brahms D major, Men- kavalier , Wagner’s Meisters-
tos Grieg’s Concerto in A
delssohn E minor inger
lio , Richard Strauss’s Rosen-
minor ; Rachmaninoff’s Con-
certo No 2 in C and No 3 in
Most Popular Waltz B l u e
Most Popular Grand Opera
Danube by Johann Strauss Verdi’s Aida
D minor , Tchaikovsky’s No 1
in B flat
Most Popular Grieg Piano
Most Popular Rachmaninoff
Most Prolific Composer
Concerto Concerto in A
Piano Concerto Concerto
Wolfgang Amadeus Mozart
Most Popular Italian Opera
or Georg Philipp Telemann Buffa Rossini’s Barber of
No 3 in D minor
Most Popular Piano Concertos
Most Prolific Song Writer
Seville
of 20th Century Grieg in A
Cole Porter who wrote a song
Most Popular Liszt Piano
a day Concerto Concerto No 1 in
minor , Rachmaninoff No 2 in
C minor
Most Prolific Symphonist
E flat
Most Popular Requiem Mass
Franz Josef Haydn composer
Most Popular MacDowell
of 104 symphonies Piano Concerto Concerto
Berlioz, Mozart, or Verdi
Most Popular Romantic Sym-
Most Versatile Musician of
No 2 in D minor
phony of 20th Century
Our Era Georges Enesco
Most Popular Mass
(Romanian composer, con- Beethoven’s Missa Solemnis
Rachmaninoff’s No 2 in E mi-
Most Popular Modern Ger-
ductor, pianist, teacher, and man Opera D e r R o s e n -
nor
violinist) kavalier by Richard Strauss
Most Popular Russian Grand
Opera Mussorgsky’s Boris
Mozart’s 41 Mozart’s forty-
Most Popular Modern Sym-
Godonov
one symphonies including the
phony of 20th Century
Haffner (No 35), the Linz (No Prokofiev’s No 1 in D mi-
Most Popular Russian
36), the Prague (No 38), the nor —Classical
Operas Borodin’s Prince
Igor , Mussorgsky’s Boris Go-
Jupiter (No 41)
Most Popular Mozart Piano
dunov , Tchaikovsky’s Eugen
Mozart’s Most Popular Aria
Concerto Concerto No 20
Finch’han dal vino (Italian— in D minor
Onegin
Most Popular Russian Over-
Fetch the Wine)—from Don
Most Popular Norwegian
Giovanni Symphonic Suites Grieg’s
ture Tchaikovsky’s Over-
ture 1812
Mozart’s Most Popular
Opera Don Giovanni Most Popular Opera Bizet’s
Peer Gynt
Most Popular Russian Sym-
phonic Suite Rimsky-Kor-
Mozart’s Most Popular Piano
Carmen
sakov’s Scheherazade
Concerto No 20 in D minor
Musical Superlatives
Mozart’s Most Popular String
Nielsen’s Most Popular Sym-
Offenbach’s Most Popular
Suite Eine Kleine Nacht-
Opera Les Contes d’Hoff- musik (German—A Little
phony No 4—Inextinguish-
mann (French—The Tales of Night Music)
able
Nigger non-pejorative nick-
Hoffmann)
Mozart’s Most Popular Sym-
name for Dvorák’s ˘ American
Offenbach’s Most Popular
phony No 41—Jupiter
Quartet filled with Black spir-
Work Gaité Parisienne
Musical Charlotte Russe
(French—Parisian Gaiety) Tchaikovsky’s Andante cant-
itual themes
O Guarani (Portuguese—the abile from his Symphony No
Noisiest Opera Massenet’s La
Navarraise replete with bells,
Guarani)—opera by Carlos
5 in E minor
cannon, castanets, guns, tam-
Gomes
Musical Dictator of Dalmatia
Oklahoma composer R oy Franz von Suppé (Francesco
bourines, and trumpets plus
Harris Ezechiale Ermenegildo Cava-
chorus and orchestra
None But The Lonely Heart
Musical Philosopher A l f r e d House Le Petit Opéra Loui-
liere Suppé Demelli)
Oldest American Opera
best known Russian art song
Brendél sianais (The Little Louisian-
by Tchaikovsky
Nordic Hanson’s Symphony
Music Capital of America
ian Opera House begun in
Los Angeles and New York 1813, later known as The Old
No 1
Norma Beffini opera
Music Capital of Eastern
French Opera House and the Europe Vienna
Norwegian composers E d -
St Charles Theatre)
Music Capital of Western
vard Hagerup Grieg, Chris-
Oldest American Symphony
Europe London
tian Sinding, Johan Severin
Orchestra New York Phil-
Music City, U.S.A. N a s h - harmonic founded in 1842 ville, Tennessee
Svendsen
and merged with New York Music Man Meredith Willson
Norwegian First N o r wa y ’s
best-known classical com-
Symphony in 1928
Mussorgsky’s Most Popular
poser—Edvard Hagerup Gr-
Oldest Austrian Symphony
Opera Boris Godunov
ieg
Orchestra Wiener Philhar-
monische Konzerte (Ger- Work Pictures at an Exhibi-
Norwegian National Com-
Mussorgsky’s Most Popular
man—Vienna Philharmonic tion
poser Edvard Grieg
Concerts), 1842 Mysterious Mountain S y m -
Nozze Le Nozze di Figaro (Ital-
ian—The Marriage of Fi-
Oldest British Symphony
phony No 2 by Alan Hovhan-
Orchestra London’s Royal ess
garo)—opera by Mozart
Nuits Nuits d’éte (French—
Nabuco Nabucodonosor (op-
Summer Nights)—song cycle
Philharmonic Orchestra,
1813 era by Verdi)
by Berlioz including Ab-
Oldest Canadian Symphony
Napoleon of the Waltz J o -
Orchestra P h i l h a r m o n i c hann Strauss
sence, Villanelle, Le spectre
de la rose, Sur les lagunes, Au
cimetiére, L’Île inconnue
Society of Montreal, 1848
National Composer of Nor-
Nursery Song Variations on a
Oldest Czech Symphony
way Edward Grieg
Orchestra Prague’s Ceská messe in D minor
Nelson Mass Haydn’s Nelson-
Nursery Song by Ernst von
filharmonie (Czech Philhar- Nerone ( I t a l i a n — N e r o ) —
Dohnanyi
Oboist of the Century Bruno
monic), 1864
Oldest Dutch Symphony
Boito opera
Labate of the New York Phil-
Orchestra A m s t e r d a m ’s
New Orleans Composer
harmonic Symphony; John de
Concertgebouw (Concert New World Dvor ák’s ˘ Sym-
Lancie of the Philadelphia
Building), 1883 phony No 9 in E minor (for-
Louis Moreau Gottschalk
Orchestra; Leon Goosens,
Marcel Tabuteau, or Harold
Oldest European Symphony
Orchestra Rome’s Santa New York composers Elliott
merly No 5)
Gomberg
Cecilia, 1566 Carter, Norman Dello Joio,
Ocean Symphony No 2 by An-
ton Rubinstein
Oldest French Symphony
Edward MacDowell, William
Orchestra Société des Con- Schuman (see Brooklyn com-
October Revolution Shostak-
certs du Conservatoire of posers)
ovich’s Symphony No 2
Ode to Heavenly Joy
Paris, 1828
Nicolai’s Most Popular Over-
Mahler’s Symphony No 4 in
Oldest German Symphony
ture Merry Wives of Wind-
Orchestra L e i p z i g sor
G major
G ew a n d h a u s Ko n z e r t e Nielsen’s 6 Carl Nielsen’s six
Ode to Joy Beethoven’s Sym-
(Leipzig Cloth Hall Con- symphonies including Four
phony No 9 in D minor—
certs), 1743 Temperaments (No 2), Sinfo-
whose closing movement is
based on the text of Schiller’s
Oldest Hungarian Symphony
nia Espansiva (No 3), Inex-
Orchestra Budapesti Fil- tinguishable (No 4), Sinfonia
Ode to Joy
harmónin Társaság (Budapest Semplice (No 6)
Odysseus Symphony No 25 by
Alan Hovhaness
Philharmonic Society), 1853
Musical Superlatives
Oldest Midwestern Symphony
Otello (Italian—Othello)— Orchestra St Louis Sym-
Oldest Symphony Orchestra
Rossini opera; Verdi opera phony, 1880
on the Great Lakes C h i -
cago Symphony, 1891
Oxford Haydn’s Symphony No
Oldest Performing Opera
92 in G major House in America N ew
Oldest Symphony Orchestra
Oy Veh ( Yi d d i s h — O h M y York’s Metropolitan Opera
in Minnesota Minneapolis
God)—Mahler’s Resurrec- House, 1883
Symphony Orchestra, 1903
Oldest Symphony Orchestra in
tion Symphony in C minor
Oldest Performing Opera
Pag I Pagliacci (Italian—The House in Argentina El Te-
New England Boston Sym-
Players)—opera by Leoncav- atro Colón in Buenos Aires,
phony Orchestra, (1881– )
allo 1908
Oldest Symphony Orchestra
Paganini’s Most Popular Oldest Performing Opera
in Northern Ohio C l eve -
Work 24 Caprices for Vio- House in Australia S y d -
land Orchestra, 1918
lin ney’s Opera House, 1954
Oldest Symphony Orchestra
in Ohio Cincinnati Sym-
Paris Mozart’s Symphony No
Oldest Performing Opera
31 in D majo r House in France Pa r i s ’s
phony Orchestra, 1895
Parisian Composers B i z e t , Opera , 1875
Oldest Symphony Orchestra
in Pennsylvania Pittsburgh
Boulanger, Charpentier,
Oldest Performing Opera
Symphony Orchestra, 1896
Chausson, Debussy, d’Indy,
House in Great Britain
Dukas, Gounod, Ibert, Pou- London’s Covent Garden
Oldest Symphony Orchestra
lenc, Rabaud, Saint-Saëns Theatre, 1732
in Southern California
Los Angeles Philharmonic,
Paris symphonies H a y d n ’s
Oldest Performing Opera
symphonies 82 through 87, House in Italy Milan’s La
commissioned in Paris, bear- Scala, 1778
Old Maid Old Maid and the
Thief —opera by Menotti
ing such names as l’Ours
Oldest Performing Opera
(The Bear—82), La Poule House in Russia Saint Pe-
Onegin Evgeny Onyegin (Rus-
(The Hen—83), La Reine tersburg’s Kirov, 1860
sian—Eugen Onegin)—
Tchaikovsky opera based on
(The Queen—85)
Oldest Performing Opera
Parsifal seven-hour-long mu- House in Spain B a r c e -
a poem by Pushkin
sic drama by Wagner lona’s Teatro Liceo (Lyceum
Opera of Operas M o z a r t ’s
Don Giovanni
Partch’s Most Popular Work
Theater), 1862
orchestral horses Vortex and
Daphne of the Dunes
Oldest Popular Song Com-
Pastoral Beethoven’s Piano poser Irving Berlin who
Giaour in the Damnation of
Sonata No 15 in D (opus 28); died at 101
Faust by Berlioz; Phaeton’s
four steeds in Saint-Saëns’
Beethoven’s Symphony No 6
Oldest Spanish Symphony
in F majo r (opus 68); Orchestra B a r c e l o n a ’s
tone poem; the nine horses in
Dvorák’s ˘ Symphony No 8 in Orquesta Pau Casals (Cata-
Wa g n e r ’s R i d e o f t h e Valkyries in Die Walküre
G major; Symphony No 3 by lan—Pablo Casals Sym-
Vaughan Williams phony), 1919
Orchestral Orgasm nickname
of the Don Juan tone poem by Richard Strauss
Pathétique Beethoven’s Piano
Oldest Swiss Symphony
Sonata No 8 in C minor (opus Orchestra Zürich’s Ton-
13)—Tchaikovsky’s Sym- 1613
Orfeo opera by Monteverdi;
halle (German—one Hall),
Orfeo ed Euridice (Italian—
Orpheus and Euridice)—
phony No 6 in B minor
Oldest Symphony Orchestra
major by Sibelius Dresdener Staatskapelle
Glück’s most popular opera
Patriotic Symphony No 2 in D
and orchestral suite
Pêheurs de Perles (French— whose performance history
Orff’s Most Popular Scenic-
The Pearl Fishers)—opera by dates to 1548
Cantata Carmina Burana
Organ Poulenc’s Concerto in
Bizet
Oldest Symphony Orchestra
Peer Gynt drama by Ibsen with in Berlin Berlin Philhar-
G for organ, strings, and tim-
incidental music by Grieg moniker , 1882
pani; Saint-Saëns Symphony
No 3 for orchestra and organ
Pellias Pelldas et Melisande
Oldest Symphony Orchestra
(Debussy’s opera) in California S a n F r a n -
Organist of the Century E
Power Biggs (1906–1977)
Pennsylvania composers
cisco Symphony, 1911
Orleanskaya O r l e a n s k a y a
Samuel Barber, Stephen Fos-
Oldest Symphony Orchestra
deva (Russian—Maid of Or-
ter, Peter Mennin
in Eastern Pennsylvania
leans)—Tchaikovsky opera
Pepusch’s Most Popular Bal-
Philadelphia Orchestra, 1900
based on Schiller’s tale about
lad Opera The Beggar’s
Oldest Symphony Orchestra
Joan of Arc
Opera
in English-speaking Can-
percussion bells, castanets, ada Toronto Symphony Or-
Ory Le Compte Ory (French—
chimes, clappers, cymbals, chestra, 1906
The Count Ory)—opera by
Rossini
drums, glockenspiels, gongs,
Musical Superlatives
marimbas, tambourines, tri-
Queen of Spades T c h a i k - angles, wood blocks, xylo-
Prince Prince Igor (Borodin’s
ovsky opera; English title of phones
opera known to Russians as
a Tchaikovsky opera called Pianist of the Century Artur
Knyaz Igor )
La Pique Dame by the French Rubinstein (1889–1982)
Printer’s Symphony M e n -
and Pikovaya dama by Rus- Pictures Pictures at an Exhibi-
delssohn’s Symphony No 2 in
sians tion (Mussorgsky’s piano
B-flat major also known as
Queen Symphony Haydn’s La suite frequently presented in
the Hymn of Praise (Lobge-
Reine (No 85) the Ravel orchestration)
sang ) celebrating the 400th
Quiet Quiet Flows the Don Pikovaya P i k o v a y a d a m a
anniversary of the invention
(Dzerzhinsky’s opera known (Russian—La Pique
of printing
to Russians as Tikhiy Don) Dame)—Tchaikovsky opera
Prisoner’s Chorus p a r t o f
Quinten Haydn’s String Quar- sometimes sung in English
Beethoven’s opera, Fidelio;
tet in D (opus 76, no 2)— Spades
the finale of Act I of Fidelio,
nickname refers to the fifth Pinafore HMS Pinafore or The
under the title Queen of
Beethoven’s only opera, is an
appeal from political prison-
form or grade in Austrian Lass that Loved a Sailor (Gil-
ers longing for the scent of
schools bert and Sullivan operetta)
open air as they know their
Quixote Don Quixote (Fantas- Pines The Pines of Rome (Re-
prison is a tomb
tic Variations on a Theme of spighi’s symphonic poemPini
prisoner’s opera Beethoven’s
Knightly Character by Cer- di Roma )
Fidelio has all three acts set
vantes as composed by Rich- Pinnacle of the Baroque J o -
in a Spanish prison run by a
ard Strauss) hann Sebastian Bach
tyrant; memorable for the
Rachmaninoff’s 3 Rachmani- Pique Pique Dame (French—
compassion the composer
noff’s three symphonies The Queen of Spades)—op-
shows political prisoners
Rachmaninoff’s 4 Rachmani- era by Tchaikovsky
prisoner’s work songs o u t -
noff’s four piano concertos Pique Dame (French—Queen
standing collection compiled
and edited by Bruce Jackson
Rachmaninoff’s Most Popular
of Spades)—Tchaikovsky op-
Symphonic Poem The Isle era; von Suppé overture
in Wake Up Dead Man—Afro-
of the Dead Pirates Pirates of Penzance
American Worksongs from
Texas Prisons , Harvard Uni-
Rachmaninoff’s Most Popular
(Gilbert and Sullivan oper-
Symphony No 2 in E minor etta)
versity Press, Cambridge,
Rachmaninoff’s Most Popular Piston’s Most Popular Ballet
Mass, 1972
Work Concerto No 2 for Pi- Incredible Flutist
prison scenes set to music
ano Poem of Ecstacy S c r i a b i n ’s
Beethoven’s opera Fidelio,
railroad music Pacific 231 by Symphony No 4
the Damnation of Faust by
Berlioz, Boito’s Mefistofele,
Polish Tchaikovsky’s Sym-
of the Caipira from Ba- phony No 3 in D major
Gounod’s Faust, and Puc-
Arthur Honneger; Little Train
chianas Brasileiras No 2 Polish composers F r é d é r i c
by Chopin, Michal Kondracki,
cini’s Tosca present some of
the most musically memora-
ble scenes although there are
Heitor Villa-Lobos
Rain Violin and Piano Sonata Emil Mlynarski, Ignacy Jan
others by Verdi
Paderewski, Krystof Pen-
Prokofiev’s 7 P r o ko fi ev ’s
in G (opus 78)—by Brahms
Raindrop Chopin’s Piano Pre- derecki, Karol Szymanowski,
seven symphonies including
Alexander Tansman, Henryk
lude No 15 in D-flat major Wieniawski
the Classical (No 1)
Rakóczy traditional Hungar- Polish First Poland’s best-
Prokofiev’s Most Popular Bal-
ian march used by Berlioz in known classical composer—
let Romeo and Juliet
his Damnation of Faust and Frédéric Chopin
Prokofiev’s Most Popular
by Liszt in his Hungarian Polonia (Polish—Poland)—
Symphony No 5
Rhapsody No 15 in A minor Wagner overture; Mlynarski
Prokofiev’s Most Popular
Work Peter and the Wolf
Rameau’s Most Popular
symphony
Puccini’s Most Popular Aria
Opera Dardanus
Poulenc’s Most Popular Bal-
Rape Rape of Lucretia (Britten let Les Biches (French—
E lucevan le stelle (Italian—
opera) The Deer Does)
And the stars shone brightly)
in Tosca
Rasumovsky B e e t h ove n ’s
Poulenc’s Most Popular Con-
Quartets in F major, E minor, certo Concerto for Organ,
Puccini’s Most Popular
and C major for two violins, Strings, and Timpani
Opera Madama Butterfly
viola, and cello (opus 59, nos Prague Mozart’s Symphony
Purcell’s Most Popular
1, 2, 3), dedicated to Count No 38 in D major
Opera Dido and Aeneas
Rasumovsky Préludes Les Préludes (Liszt
Queen T h e Q u e e n ( L a
Reine)—Haydn’s Symphony
Ravel’s Most Popular Ballet
symphonic poem)
No 85 in B-flat major
Daphnis et Chloé
Musical Superlatives
Ravel’s Most Popular Choreo-
the custom to have a drummer
abin, Rachmaninoff, Gliere,
graphic Poem for Orches-
Stravinsky, Prokofiev, Shosta- tra La Valse (French—The
beat out the rhythm of the
kovich Waltz)
rogues’ march
Russian National Composer Ravel’s Most Popular Opera
Romanian First R o m a n i a ’s
Mikhail Ivanovich Glinka L’ H e u re E s p a g n o l e
best-known classical com-
Russian Symphonist P y o t r (French—The Spanish Hour)
poser-conductor-pianist-vio-
linist—Georges Enesco
Ilyich Tchaikovsky
Ravel’s Most Popular Work
Romanian National Com-
Russia’s Most Russian Com-
poser Tchaikovsky Reformation Mendelssohn’s
Bolero
poser Georges Enesco
Romantic Bruckner’s Sym-
Russo-American Composer
Igor Stravinsky (1882–1971) Requiem Mass for the dead;
Symphony No 5 in D majo r
phony No 4 ; Hanson’s Sym-
Rustic Wedding K a r l G o l d - most memorable composed
phony No 2
mark’s Symphony in E flat by Berlioz, Brahms, Bruck-
Roméo Roméo et Juliette (Ber-
lioz symphony for chorus, or-
(opus 26)
(French—The Rite of Verdi
ner, Cherubini, Dvorák, ˘
Sacre Le Sacre du Printemps Fauré, Mozart, Palestrina, and
chestra, and solo voices)
Rosenkavalier D e r R o s e n -
kavalier (German—The Red
Spring)—Stravinsky ballet
Respighi’s Most Popular
for orchestra Suite Gli Uccelli (Italian—
Knight)—Richard Strauss’s
Sacred operas Mosé en Egitto The Birds)
most popular opera
Rose of Venice Haydn’s Quar-
(Moses in Egypt) by Rossini;
Respighi’s Most Popular
tet in D for Strings (opus 20,
Samson et Dalila (Samson
and Delilah) by Saint-Saëns Work Fountains of Rome
no 4)
Saint-Saëns’ 5 the five sym- Resurrection Mahler’s Sym-
Rossini’s Most Popular
phonies of Saint-Saëns in- phony No 2 in C minor
Opera Barber of Seville
cluding his Symphony in A Revolutionary Chopin’s Piano
Rossini’s Most Popular Orato-
major, the Symphony No 1, Etude No 12 in C minor
rio Stabat Mater
Rossini’s Most Popular Over-
the Symphony in F major
Revolutionary Composer
(Urbs Roma)—the Symphony Pierre de Geyter best known
ture William Tell
No 2 in A minor , the Sym- for the formerly official com-
Rubinstein’s Most Popular
phony No 3 in C minor (Or- munist anthem the Internatio-
Aria Epithalamium of Wn-
gan ) for organ and orchestra nale
dex in Nero
Saint-Saëns’ Most Popular Reznicek’s Most Popular
Ruslan Ruslan and Ludmila
Aria Mon coeur s’ouvre a ta Overture Donna Diana
(Glinka’s most popular opera)
voix (French—At your voice Rheingold D a s R h e i n g o l d
Russian Haydn’s six string
my heart unfolds)—in Sam- (Wagner music drama)
quartets—Opus 33; Rach-
son et Dalila Rhenish Schumann’s Sym-
maninoff’s Symphony No 3 in
A minor
Saint-Saëns’ Most Popular
Symphony No 3—Organ Riegger 4 four symphonies by
phony No 3 in E-flat major
Russian composers A n t o n
Arerisky, Mili Balakirevl Al-
Saint-Saëns’ Most Popular
Work Danse macabre Rigoletto Verdi opera
Wallingford Riegger
exander Borodin, Cesar Cui,
Alexander Dargomijsky, Al-
Saint Vartan Symphony No 9
Rimsky-Korsakov’s Most Pop-
by Alan Hovhaness ular Work Scheherazade
exander Glazunov, Reinhold
Gliere, Mikhail Glinka, Alex-
Salome music drama by Rich-
ard Strauss Ring Cycle The Ring of the Ni-
ander Gretchaninov, Dmitri
Kabalevsky, Aram Khacha-
Salomon symphonies
belungen (q. v.)
turian, Anatoly Liadov, Mod-
Haydn’s symphonies 93
Ring of the Nibelungen
through 104 bearing such Wagner’s Ring Cycle consist-
est Mussorgsky, Sergei
names as Surprise (94), Mir- ing of Das Rheingold (Rhine-
Prokofiev, Sergei Rachmani-
acle (96), Military (100), gold),
noff, Nikolai Rimsky-Korsa-
Clock (101), Drum Roll (Valkyries), Siegfried, and
D i e Wa l k ü re
kov, Anton Rubinstein, Alex-
(103), and London (104); se- Götterdämmerung (Twilight
ander Scriabin, Dmitri
ries named for the impresario of the Gods)
Shostakovich, Igor Stravin-
sky, Pyotr Ilyich Tchaikovsky
JP Salomon who secured con-
Rodrigo’s Most Popular
certs for Haydn in London Work Concierto de Aran-
Russian Easter Rimsky-Kor-
sakov’s Russian Easter Festi-
Samson Samson et Dalila (op-
era by Saint-Saëns based on rogues’ march q u i c k s t e p
juez for Guitar and Orchestr a val —concert overture
the biblical legend of Samson played when offenders are
Russian Fourteen R u s s i a ’s
and Delilah) drummed out of the army, the
fourteen best-known classical
composers—Glinka, Boro-
San Carlo of the Symphony
marines, the navy, or other
Carlo Maria Giulini military units; at public flog-
din, Cui, Balakirev, Mussorg-
sky, Tchaikovsky, Rimsky-
Sarasate’s Most Popular
gings and executions it was
Korsakov, Glazunov, Scri-
Piece Carmen Fantasy
Musical Superlatives
Savoy operas Gilbert and Sul-
Spain’s Quartet Spain’s four livan operettas
Shostakovich’s Most Popular
Symphony No 5
best-known classical compos-
Saxophonist of the Century
ers—de Falla, Albéniz, Gra- Paul Brodie
Sibelius’ 7 the seven sympho-
nados, Turina Schelomo ( H e b r ew — S o -
nies of Sibelius
Spanish Caprice R i m s ky - lomon)—title of Bloch’s
Sibelius’s Most Popular Sym-
Korsakov’s Capriccio es- composition for ’cello and or-
phonic Poem Finlandia
pagñol chestra
Sibelius’s Most Popular Sym-
phony No 2 in D major
Spanish composers Isaac Al-
Schoenberg’s Most Popular
béniz, Manuel de Falla, En- Orchestral Work Ve r k -
Sibelius’s Most Popular Violin
rique Granados, Felipe Pe- lärte Nacht (German—Trans-
Concerto in D minor
drell, Joaquin Turina figured Night)
Spanish Dances Danzas es- Schubert’s 9 nine symphonies
Siegfried Wa g n e r ’s m u s i c
pañoles composed by Grana- of Franz Schubert including
drama
dos for the piano Tragic (No 4), Little (No 6),
Silver Pilgrimage S y m p h o n y
Spanish Hour Ravel’s brief Unfinished (No 8), The Great
No 15 by Alan Hovhaness
but witty opera—L’Heure es- (No 9)
Sinfonia Antarctica S y m -
phony No 7 by Vaughan Wil-
liams
pagnole
Schubert’s Most Popular Sym-
Spanish Nights d e Fa l l a ’s phony No 8–Unfinished
Sinfonia Concertante
Nights in the Gardens of
Mozart’s two are most famil-
Schumann 1st, 2nd, 3rd, 4th
Spain
First (Spring), Second, Third Spanish Overture G l i n k a ’s
iar
(Rhenish), Fourth sympho- Jota aragonesa
Sinfonia Domestica composi-
nies composed by Robert Spanish Pieces de Falla’s Pie-
tion reflecting the daily life of
Schumann zas españoles for piano
Richard Strauss
Sinfonia Espansiva Nielsen’s
Schumann’s Most Popular
Spanish Rhapsody L i s z t ’s
Piano Work Fantasy in C Rhapsodie espagnole ;
Symphony No 3
Schumann’s Most Popular
Ravel’s Rapsodie espagnole Symphony No 1—Spring
Sinfonia India (Spanish—In-
dian Symphony)—by Carlos
Spanish Song Ravel’s Chan-
Scotch Mendelssohn’s Sym- son espagnole for piano and
Chávez (1899–1978)
voice phony No 3 in A minor
Sinfonia Semplice Nielsen’s
Spanish Songbook H u g o Scottish Mendelssohn’s Sym-
Symphony No 6
phony No 3 in A minor , often
Wolf’s Spanisches Lieder- called Scotch Symphony
Six-Four Time Mass Haydn’s
buch Scottish Composers Erik Ch-
Sechsviertelmesse in G
Small Organ Mass H a y d n ’s
Spanish Songs Cantos de Es- paña composed by Albeniz
isholm, Sir Alexander Camp-
B-flat Kleine Orgelmesse
for the piano bell Mackenzie, John Black-
Smetana’s Most Popular
Spanish Suite Suite Española Musgrave, Ian Whyte
by Albéniz Scriabin 5 five symphonies by
wood McEwen, Thea
Opera The Bartered Bride
Smetana’s Most Popular
Piece Moldau
Spanish Symphony L a l o ’s Symphonie espagnole
Snegurochka (Russian—The
for vi-
olin and orchestra the Divine Poem (No 3), the
Alexander Scriabin including
Snow Maiden)—Rimsky-
Spirit Beethoven’s Spirit Trio Poem of Ecstasy (No 4), and
Korsakoff opera
called Das Geister Trio by the the Poem of Fire (No 5)
Song of the Night Karol Szy-
manowski’s Symphony No 3;
Germans
Scriabin’s Most Popular
Spirit of Man P r o k o fi ev ’s Ecstasy
name for his Symphony No 5 Sea S y m p h o ny N o 1 b y
Orchestral Work Poem of
Mahler’s Symphony No 7 in E
minor
Sonnam Sonnambula (Ital-
Opus 100 completed in 1944
Spring Beethoven’s Sonata No Vaughan Williams
5 for Violin and Piano (opus Seasons Glazunov’s ballet;
ian—Sleepwalker)—Bellini
24); Schumann’s Symphony Haydn’s oratorio Die Jahr-
opera
No 1 in B-flat major eszeiten
Sopranos of the Century
Stabat Mater (Latin—stand- Sea Symphony Symphony No
Elisabeth Schumann (1894–
1966), Maria Callas (1923–
ing mother)—liturgical mass
set to music by Haydn, Liszt, Sentiramide Rossini opera
1 by Ralph Vaughan Williams
1977), Joan Sutherland 1926–
Palestrina, Rossini, and Verdi Shostakovich’s 15 Shostakov-
Steppes In the Steppes of Cen- ich’s fifteen symphonies in-
Sousa’s Most Popular March
tral Asia (symphonic sketch cluding Leningrad (No 7),
The Stars and Stripes
by Borodin) Year 1905 (No 11), Lenin (No
South African composers
Stokowski silver sizzle t h e 12), Babi Yar (No 13)
John Joubert, Priaulx Rainier
Soviet Symphonists S e rg e
sound of the Philadelphia Or-
Shostakovich’s Most Popular
chestra (developed by Le- Ballet Age of Gold
Prokofiev and Dmitri Shosta-
kovich
opold Stokowski)
Musical Superlatives
storm-at-sea mus s t o r m - a t -
Singing Contest of the Wart- sea music, the Sea and Sin-
Sunrise Haydn’s String Quar-
burg)—three-act Wagner op- bad’s Ship section of Rimsky-
tet in B flat (opus 76, no 4)
era Korsakoff’s Scherezade
Suor Angelica (Italian—Sis-
ter Angelica)—one-act opera
Tchaikovsky 1st, 2nd, 3rd, 4th,
storm mus storm music (most
5th, 6th First (Winter Rev- memorable includes the
by Puccini
eries ), Second (Little Rus- Thunderstorm movement in
Suppé’s (von Suppé’s) Most
sian ), Third (Polish), Fourth, Beethoven’s Symphony No 6–
Popular Overture L i g h t
Fifth, Sixth (Pathétique) sym- Pastoral , the Royal Hunt and
Cavalry
phonies composed by Tchaik- Storm in Les Troyens by Ber-
Surprise Haydn’s Symphony
ovsky lioz, the Tempesta interlude in
No 94 in G major
Tchaikovsky’s Most Popular
Rossini’s Barber of Seville, Ballet Swan Lake and the Alpine Storm in his
Swan Song Symphony
Prokofiev’s Symphony No 7 in
Tchaikovsky’s Most Popular
William Tell ; the Storm some-
Opera Eugen Onegin times accompanying and of-
C-sharp minor Swedish composers Kurt At-
Tchaikovsky’s Most Popular
ten dominating the seduction
Overture 1812 scene in the Samson and De-
terberg, Franz Adolf Berwald,
Hilding Rosenberg, Wilhelm
Stenhammar, Dag Wirén
Tchaikovsky’s Most Popular
lilah of Saint-Saëns, the
Piano Concerto No 1 in B- Storm movement in the Al-
flat minor pine Symphony of Richard
Swedish Quartet S w e d e n ’s
leading classical composers,
Tchaikovsky’s Most Popular
Strauss, the opening inciden-
Song None But the Lonely tal music composed by Sir
Berwald, Rangstrom, Atter-
Heart Arthur Sullivan for The Tem-
berg, and Wiren
Swiss composers E r n e s t
Tchaikovsky’s Most Popular
Symphony No 4 in F minor wind in Act III of Tchaik-
pes t, the howling thunder and
Bloch, Frank Martin, Jean
Tear-Jerker Composer G i a - ovsky’s Queen of Spades)
Jacques Rousseau
como Puccini—opposite of Strange Music H o l l y wo o d
Swiss Quartet Switzerland’s
Gioacchino Rossini adaptation of Grieg’s “Wed-
foremost composers of classi-
cal music, Raff, Bloch, Mar-
Telemann’s Most Popular
ding Day at Troldhaugen” in
Concerto C o n c e r t o f o r the Song of Norway
tin, and Honegger
Trumpet and Strings in D Stranger in Paradise K i s m e t
Symphonia domestica ( G e r-
Tell Rossini’s opera William Tell theme adapted from Boro-
man—Domestic Sym-
Tempest Beethoven’s Piano din’s Prince Igor
phony)—autobiographical
tone poem by Richard Strauss
Sonata No 17 in D (opus 3 1,
Strauss’s (Johann, Jr) Most
no 2); Tchaikovsky’s Sym- Popular Operetta Die Fle-
Symphonic-Poem composers
phonic Fantasy—Tempest dermaus (German—The Bat)
Franz Liszt, Camille Saint-
Sadns, Jean Sibelius, Bedrich
Tenors of the Century E n -
Strauss’s (Johann)—Most
rico Caruso (1873–1921), Popular Waltz T h e B l u e
Smetana, Richard Strauss
Jussi Björling (1907–1960), Danube
Symphonie Espagnole E d -
ouard Lalo’s most popular vi-
Luciano Pavarotti (1935– )
Strauss’s (Richard)—Most
Thaïs Massenet opera Popular Opera Der Rosen-
olin concerto
The Bells R a c h m a n i n o ff ’s kavalier (German—The Knight of the Rose)
Symphonie fantastique
(French—Fantastic Sym-
choral symphony based on Poe’s poem The Bells
Strauss’s (Richard)—Most
phony)—major orchestral work of Berlioz
The Five (Russian composers
Popular Piece for Piano and
Balakirev, Borodin, Cui, Moussorgsky, Rimsky-Korsa-
Orchestra Burleske
Symphony of a Thousand
Strauss’s (Richard)—Most
kov) Popular Symphony Alpine
Mahler’s Symphony No 8 in E-flat major
The Great Schubert’s Sym-
Strauss’s (Richard)—Most
phony No 9 in C major Popular Tone Poem A l s o
Symphony of Heavenly
The Isle The Isle of the Dead sprach Zarathustra (Ger-
Length Schubert’s Sym-
(orchestral work by Rach- man—Thus Spake Zarathus-
phony No 9 , according to
maninoff inspired by Arnold tra)
Schumann
Symphony of Psalms Stravin-
Böcklin’s painting of this ti-
Stravinsky’s Most Popular
tle) Ballet Firebird
sky’s best-known symphony
The Lamp Is Low Hollywood Suicide European nickname
Tabarro Il Tabarro (Italian—
version of Ravel’s Pavane for Tchaikovsky’s Symphony
The Cloak)—opera by Puc-
pour une infante de’funte No 6 in B major—the Pathé-
cini
Tales Tales of Hoffmann (Of-
Thomas’s Most Popular Over-
tique
fenbach opera)
ture Raymond
Sullivan’s Most Popular
Thousand The Symphony of a Orchestral Work I n M e -
Tann Ta n n h â s e r u n d d e r
Thousand (Mahler’s Sym- moriam
Sängerkrieg auf der Wartburg
(German—Tannhäser and the
phony No 8 in E-flat major )
Musical Superlatives
Three Classic Masses Bach’s
certo No 1 for violin;
S c h u b e r t ’s 8 t h ( U n fi n -
ished )—and 9th; Schumann’s Solemnis , Bruckner’s Grosse
B minor , Beethoven’s Missa
Rachmaninoff’s piano con-
1st (Spring), 2nd, 3rd (Rhen- Messe in F mino r
certo No 2; Schumann’s piano
concerto; the violin concerto
ish ), and 4th; Shostakovich’s
Three Leading Conductors in
1st and 5th; Sibelius’s 1st; America 1900–1950 Serge
of Sibelius; Tchaikovsky’s
Tchaikovsky’s 4th, 5th, and Ko u s s ev i t z ky, L e o p o l d
concerto No 1 for piano and
6th (Pathitéque)] Stokowski, Arturo Toscanini
his violin concerto)
top 30 top 30 symphonic spec-
Tosca Puccini opera
Three Leading Conductors in
Totentänz (German—Death America 1950–1990 L e -
taculars favored on many or-
Dance)—Liszt’s paraphrase onard Bernstein, Zubin Me-
chestral programs [Bach’s
on the Dies Irae for piano and hta, Sir Georg Solti
Toccata and Fugue in D;
orchestra Three Penny Three Penny Op-
Beethoven’s Lenore Overture
TotentUnze ( G e r m a n — era (composed by Kurt Weill,
No 3 ; Berlioz’s Symphonie
Dances of Death)—part of based on a modernized Ger-
fantastique ; B o r o d i n ’s
Mahler’s Symphony No 9 man version of John Gay’s
Po l o v e t s i a n D a n c e s ;
Toy Toy Symphony usually as- The Beggar’s Opera )
Brahms’s Variations on a
cribed to Haydn but now be- Tikhiy Tikhiy Don (Russian—
Theme by Haydn ; Debussy’s
lieved to be part of a larger Quiet Flows the Don)—Dz-
La Mer ; Glinka’s Russlan and
work by Leopold Mozart erzhinsky’s opera
Ludmilla Overture ; Handel’s
Tragic overture by Brahms; Till Till Eulenspiegels lustige
Water Music ; Liszt’s Les Pre-
Symphony No 6 by Mahler; Streiche (German—Till Eu-
ludes ; Mussorgsky’s Night on
Symphony No 4 by Schubert lenspiegel’s Merry Pranks)—
Bald Mountain , Pictures at an
Traviata Verdi opera symphonic poem by Richard
Exhibition ; Prokofiev’s Peter
Triangle Liszt’s Piano Con- Strauss
and the Wolf ; Rachmaninoff’s
Rhapsody on a Theme by Pa-
certo No 1 in E flat
Timpanist of the 20th Century
Tristan Tristan und Isolde Saul Goodman of the New
ganini ; Ravel’s Bolero; Rim-
( G e r m a n — Tr i s t a n a n d York Philharmonic
sky-Korsakov’s Scheher-
Iseult)—music drama by Titan Mahler’s Symphony No 1
azade ; Saint-Saëns’ Carnival
Wagner in D major —he preferred to
of the Animals , Symphony No
Trittico Il Trittico (The Tryp- call it his Werther symphony
3 (Organ); Sibelius’s Finlan-
tych)—Puccini’s three short comparing it with Goethe’s
dia ; Smetana’s Moldau; Rich-
operas—Gianni Schicchi, first novel
ard Strauss’s tone poems—
Suor Angelica , and Il Tabarro Tod und Verklärung ( G e r-
Don Juan, Don Quixote,
Trojans Les Troyens (French— man—Death and Transfigura-
Hero’s Life (Heldenleben),
The Trojans)—opera by Ber- tion)—symphonic poem by
Thus Spake Zarathustra (Also
lioz Richard Strauss
sprach Zarathustra), Till Eu-
lenspiegel ; Stravinsky’s Sacre
Trombonist of the Century
Tone-Poem Composer R i c h -
Tommy Dorsey ard Strauss
du Printemps ; Tchaikovsky’s
Overture 1812 , Romeo and
Juliet ; Wagner’s Flying
Trout Schubert’s Quintet in A for violin, viola, cello,
Tong-hai Moolkwa (Korean—
major South Korea
double bass, and piano Tonight We Love p o p u l a r
Tong-Hai Sea)—anthem of
Dutchman and Tannhäuser
overtures, Tristan Prelude and
Liebestod]
Trov Il Trovatore (Italian—The Troubador)—Verdi opera
Troyens L e s Tro y e n s minor
name for Tchaikovsky’s Pi-
top 40 top 40 symphonies fa-
(French—The Trojans)—op- top 25 top 25 concertos fea-
ano Concerto No 1 in B-flat
vored on many symphonic
era by Berlioz tured in many orchestral pro-
programs [Beethoven’s 3rd.
(Eroica), 5th, 6th (Pastoral),
and 9th (Choral); the four by
Trumpeter of the Century
grams (Bach’s concerto for
Maurice André two violins; Beethoven’s five
Brahms; Bruckner’s 4th (Ro-
Tubists of the Century Will- piano and one violin concer-
mantic ) and 9th;
iam Bell of the New York tos; two piano and one violin
Dvorák’s ˘ 6th and 9th (New
Philharmonic, Roger Bobo of concertos by Brahms;
World ); Haydn’s 94th (Sur-
the Los Angeles Philhar- Bruch’s violin concerto;
prise ), 100th (Military), 101st
monic Chopin’s two piano concer-
(Clock), 103rd (Drum Roll),
104th (London); Mahler’s lst,
Turandot Puccini opera
tos; Dvorák’s cello concerto; ˘
2nd (Resurrection), and 9th;
Turina’s Most Popular Work
Gershwin’s piano concerto;
Danzas fantásticas Grieg’s piano concerto;
Mendelssohn’s 3rd (Scottish),
Turkish Mozart’s Violin Con- Liszt’s piano concerto No 1;
4th (Italian), and 5th (Refor-
certo in A major (K 219) Mendelssohn’s violin con-
mation ); Mozart’s 35th
(Haffner), and 41st (Jupiter);
Twentieth-Century Roman-
certo; Mozart’s piano con-
tics Rachmaninoff, Sibelius, certo No 20; Paganini’s con-
Prokofiev’s 1st (Classical)
and 5th; Rachmaninoff’s 2nd;
and Richard Strauss
Musical Superlatives
Unfinished Schubert’s Sym-
Violinist-Composer-Conduc-
When the Lights Go On Again
p o p u l a r i z e d ve r s i o n o f Urbs Orba Symphony in F of
phony No 8 in B minor
tor Eugène Ysaÿe
Beethoven’s Minuet in G Saint-Saëns
Violinist-Conductor Wi l l i
William Tell Rossini opera Valurile Dunárii ( R o m a -
Boskovsky; Richard Burgin;
Winter Reveries T c h a i k - nian—Danube Waves)—pop-
Sidney Harth, David Ois-
ular fanfare also called Anni- ovsky’s Symphony No 1 in G
trakh; Igor Oistrakh, Joseph
Silverstein; Isaac Stern
Winter Wind Chopin’s Piano Theme Enigma Variations
versary Waltz
Violinist-Violist-Conductor
minor (Rêverie d’Hiver)
Variations on an Original
Etude No 11 in A minor of Elgar
Yehudi Menuhin; Pinchas
Zukerman
Wolf’s Most Popular Lieder Vaughan Williams’ Most Pop-
Violin-Maker’s Capital C r e -
Italienisches Liederbuch ular Fantasia Greensleeves
mona, Italy
Vishnu Symphony No 19 by
(German—Italian Lieder
Vaughan Williams’Most Popu-
Book) lar Opera Hugh the Drover
Alan Hovhaness
World’s Largest Concert Vaughan Williams’ Most Pop-
Vivaldi’s Most Popular Piece
Hall Royal Albert Hall, ular Symphony No 1—Sea
Le Quattro Stagioni (Ital-
London, with a seating capac- Symphony
ian—The Four Seasons)
ity of 10,000 Venezuelan composers Te r-
Wagner’s Most Popular Aria
In fernem Land (German—In
World’s Largest Opera
esa Carreño, Reynaldo Hahn,
House Metropolitan Opera José Angel Montero, Juan
a Far Land) in Lohengrin
House, Lincoln Center, New Bautista Plaza, Vicente
Wagner’s Most Popular Music
Emilio Sojo York City Venezuelan First Venezuela’s
Drama Tannhdäuser
Wagner’s Most Popular Pre-
World’s Most Musical West-
composer-conductor Rey- ern Nation Germany naldo Hahn who became mu-
lude Act I—Lohengrin
Wagner’s Most Popular Song
World’s Oldest Orchestra
sic critic of Le Figaro and
Dresdener Staatskapelle music director of the Paris
Träume (German—Dreams)
founded in Dresden in 1548 Opera
Waldstein Beethhoven’s Piano
Sonata No 21 in C (opus 53),
Wozzeck Alban Berg music
Venezuelan Pianist Te r e s a
drama Carreño
dedicated to Count von Wald-
stein
Xerxes Handel opera
Verdi’s Most Popular Mass
Walküre Die Walküre (Ger-
Year 1905 S h o s t a k ov i c h ’s Manzoni Requiem
man—The Valkyrie)—Wag-
Verdi’s Most Popular Opera
Symphony No 11 Aida
ner music drama
Year 1917 S h o s t a k ov i c h ’s verismo (Italian—realism) ap-
Wallace’s Most Popular Over-
Symphony No 12 plied to composers such as
ture Maritana
Youth Kabalevsky’s Concerto Leoncavallo, Mascagni, Puc-
Walton’s Most Popular
No 3 in D major ; Youth Sym- cini
Orchestral Work Belshaz-
phony in D minor by Rach- Vespri I Vespri Siciliani (Ital-
zar’s Feast
maninoff ian—The Sicilian Vespers)—
Waltz King nickname shared
Zampa Hérold opera Verdi opera
by Lanner, Lehar, Lumbye,
Zarathustra Thus Spake Zar- Victory n i c k n a m e f o r
Kalman, Johann Strauss Sr
athustra (symphonic poem by Beethoven’s Symphony No 5
and Jr, Josef Strauss, and Os-
Richard Strauss—Also in C minor
kar Straus
sprach Zarathustra) Vie L a Vi e Pa r i s i e n n e
Wanderer Schubert’s Piano
Zigeunerbaron Der Zigeuner (French—Parisian Life)—
Fantasie in C (opus 15)
baron (German—The Gypsy Offenbach opera
Warsaw Warsaw Concerto by
Richard Addinsell
Vieuxtemp’s Most Popular
Weber’s (von Weber’s) Most
Baron)—operetta by Johann
Zigeunerweisen ( G e r m a n — Work Bachianas Brasilei-
Concerto No 5 for Violin
Popular Overture Oberon
Strauss, Jr
Villa-Lobos’ Most Popular
Welsh composers Alun Hod-
Gypsy Melodies)—Pablo de ras No 5 for soprano and 8
dinott, Arwel Hughes, Daniel
Sarasate work celli
Jones, William Mathias,
Zingareska George Antheil’s Violinist of the Century J a s -
Grace Williams, David
Symphony No 1 cha Heifetz (1901–1987);
Wynne
Z m Z Z mého Zivota (Czecho- William Primrose (1904–
Werther Massenet opera
slovakian—From my Life)— 1982)
West Point Morton Gould’s
Symphony No 4 for Band
Smetana’s String Quartet No 1
National Capitals