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Table 4.7 The Dominant Connected Speech Errors of Each Actor in the Second Rehearsal Video Recording
No. Characters 2
nd
Rehearsal Frequency
Degree of Dominance
Pi-P Types of
Connected Speech Errors
1 Shinta 60
26.67 Assimilation
2 Rahwana 55.56
22.23 r-Sandhi
3 Rama 68.57
35.24 Assimilation
4 Laksmana 50
16.67 Assimilation r-Sandhi
5 Sugriwa 50
16.67 Assimilation r-Sandhi
6 Subali 100
66.67 Assimilation
7 Anoman 100
66.67 Assimilation
8 Jomblo 55.56
22.23 Assimilation
9 Playboy 100
66.67 Assimilation
4.2.3 The Analysis of the Third Rehearsal Video Recording
The second video recording was done at the third rehearsal on July 12, 2009. The following table 4.8 shows the proportion of connected speech errors made by each
actor.
Table 4.8 The Proportion of Connected Speech Errors Made By Each Actor in the Third Rehearsal Video Recording
No. Characters 3
rd
Rehearsal Frequency Proportion
Assi Elis r-San Total Assi Elis r-San
Total
1 Shinta
18 0 5 23 78.26 21.74
100 2
Rahwana 6 2 6 14 42.86
14.29 42.86
100 3
Rama 19 0 10 29 65.52
34.48 100
4 Laksmana 3 0 3 6 50
50 100
5 Sugriwa 5 0 5 10 50
50 100
6 Subali
2 0 0 2 100 0 0
100 7
Anoman 4 0 0 4 100 0 0
100 8
Jomblo 5 0 4 9 55.56 44.44
100 9
Playboy 3 0 0 3 100 0 0
100
TOTAL 65 2 33
100 65 2 33
100
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The mean of error occurrence P is 100 : 9 = 33.33 From the table above, it can be seen that the mean of the error occurrence
P is 33.33. P is a very important to know the degree of dominant which is symbolized by Pi-P. If Pi-P of a heading results in positive +, it means that
error is dominant, but if it is negative -, it means that the errors are less dominant.
Therefore, the result of the computation of Pi-P indicates which type of connected speech is dominant or less dominant. Table 4.9 presents the degree of
dominance of error occurrences of three types of connected speech.
Table 4.9 The Degree of Dominance of Error Occurrences of Three Types of Connected Speech in the Third Rehearsal Video Recording
No. Characters 3
rd
Rehearsal Proportion Pi-P
Assi Elis r-San Assi Elis r-San
1 Shinta 78.26
21.74 44.93
-33.33 -11.59 2 Rahwana
42.86 14.29
42.86 9.53
-19.04 9.53
3 Rama 65.52
34.48 32.19
-33.33 1.15 4 Laksmana
50 50
16.67 -33.33
16.67 5 Sugriwa
50 50
16.67 -33.33
16.67 6 Subali
100 66.67
-33.33 -33.33 7 Anoman
100 66.67
-33.33 -33.33 8 Jomblo
55.56 44.44
22.23 -33.33 11.11
9 Playboy 100
66.67 -33.33 -33.33
The number of dominant connected speech errors is 2; 6 actors are assimilation and 3 two actors are both assimilation and r-sandhi.
The computation shows that there are 2 types of connected speech errors whose degrees of dominance result in positive. Whereas, there is one type of
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connected speech errors whose degree of dominance results in negative. It means that there are two types of dominant connected speech errors that almost all actors
made in pronouncing connected speech of the drama script. The two types of dominant connected speech errors are ranked as follows:
Table 4.10 The Dominant Connected Speech Errors of Each Actor in the Third Rehearsal Video Recording
No. Characters 3
rd
Rehearsal Frequency
Degree of Dominance
Pi-P Types of
Connected Speech Errors
1 Shinta 78.26
44.93 Assimilation
2 Rahwana
42.86 9.53
Assimilation r-Sandhi 3 Rama
65.52 32.19
Assimilation 4
Laksmana 50
16.67 Assimilation r-Sandhi
5 Sugriwa
50 16.67
Assimilation r-Sandhi 6 Subali
100 66.67
Assimilation 7 Anoman
100 66.67
Assimilation 8 Jomblo
55.56 22.23
Assimilation 9 Playboy
100 66.67
Assimilation
4.2.4 The Analysis of the Live Performance Video Recording
