Data Description RESEARCH FINDINGS
22 Dewi Sandra
: “My best friend is Agus.” Raline Shah
: “Okay. Aduh, suaminya, romantis banget sih.” 8. Raline Shah
: “Apa rahasia mbak untuk terus happy?” Dewi Sandra
: “Dijawabin sama Deddy. Nasibnya sama soalnya, cuma saya sudah berlanjut, dia masih stay in position.”
Deddy Corbuzier : “Saya stuck.” Dewi Sandra
: “Yes, stuck. Stuck-nut.” Deddy Corbuzier : “Iya, saya stuck.”
9. Raline Shah : “Apa yang menjadi insiprasi fashion mbak? ‘Cause I
think you’re very fashionable, so…” 10. Dewi Sandra
: “Hmm… fashion is expressing yourself.
Kita mengekspresikan diri dengan pakaian, jadi butuh wear
what you feel comfortable with.” 11. Dewi Sandra
: “Basically that’s it. Raline juga cantik, kan? I love your fashion sense.”
Raline Shah : “Thank you.”
12. Raline Shah : “I’m never there”
Dewi Sandra : “Yes, she’s never there Jadi kalau deket, ‘Raline
mana? Raline mana?’, ‘Raline udah pergi’, ‘Kemana sih?’”
13. Raline Shah : “Aku selalu menghilang dan walaupun sudah aku
menghilang karena aku yoga, kan? I’m always gone for yoga.”
23 14. Raline Shah
: “Jadi kayak, ‘okay, cut’, okay, there’s yoga class tiga sampai empat jam setengah.”
15. Deddy Corbuzier : “Bullshit.” Dewi Sandra
: “No, no, no. Dia yoga.” 16. Raline Shah
: “Beneran, aku yoga. Udah sama tas gym kok, ‘okay, bye, everyone. I’m going for yoga’.”
17. Raline Shah : “Ya, because kita di Eropa kan waktunya terbatas, jadi
kalau ada break gitu, aku ke museum atau kemana, staring at different things gitu.”
18. Dewi Sandra : “Setelah syuting ’99 Cahaya di Langit Eropa’, are you
ready to be a mom?” 19. Raline Shah
: “Am I ready to be a mom?” Dewi Sandra
: “Yes.” Raline Shah
: “No.” 20. Raline Shah
: “I would love to be a mom, tapi aku butuh persiapan minimal satu tahun.”
21. Raline Shah : “Nikahnya sih siap, tapi kalau jadi ibu, I think I need
satu tahun.” 22. Raline Shah
: “Kalau menurut aku sih, she’s a good performer.” 23. Raline Shah
: “She’s a good entertainer, maksudnya ngeliat dia tiap hari aja aku udah happy gitu. Jadi, dia mau nyanyi, aku
happy. Dia lagi nggak nyanyi juga happy.”
24 24. Raline Shah
: “Film nggak ada urusannya sama kehidupan aku, I still get paid sama.”
25. Raline Shah : “I don’t know, maybe gatel aja kali.”
26. Deddy Corbuzier : “Emang kapan sih rencananya mau
married sebenernya?”
Raline Shah : “Uhm… thirty.”
Deddy Corbuzier : “Umur tiga puluh?” Raline Shah
: “Tiga puluh. Iya.” Deddy Corbuzier : “Oh, tiga puluh. Kenapa tiga puluh?”
Raline Shah : “Ehm… karena aku memang ada plan lah.”
Deddy Corbuzier : “Ada plan?” Raline Shah
: “Ada plan. Ada life plan-nya gitu. Kayak business plan.”
27. Raline Shah : “Apa tuh? Oh, yeah, of course.”
28. Raline Shah : “So scary, kamu kalo ngikutin aku ke gunung, pasti
aku takutnya itu tuyul. I mean, kamu tuh nggak ber- style gitu. Gua bawa ke ulang tahun sepupu gue yang
umur tujuh belas gitu, ‘ih, kok pacar Raline ngeri banget?’. Bawa ke kawinan nggak enak dilihat, pake
kebaya. Jadi no way gitu.” 29. Raline Shah
: “Your style is not ber-style.”
25 The writer uses Ronald Wardhaugh’s theory of types of code-switching,
and identifies the code-switching as situational code-switching, metaphorical code-switching, or conversational code-switching code-mixing. The writer also
uses Janet Holmes’ criteria to differentiate which dialogues use code-switching or code-mixing, and identifies the factor influencing the switch or the mix, such as
participant, status, solidarity, and topic.