58.
borrowed I
Ina Materia
it -
- because mine
got covered in mud reason
59.
got covered it
- -
in mud place
60.
will return He
cousin it
Tomorrow time
61.
could finish She Ina Materia
- -
- -
62.
leapt her
young husband
- -
- But before she
could finish time
across the room place
63.
struck her
young husband
such a blow - his wife to the head
place
64.
have betrayed
You Ina Materia
Me young husband
- -
-
65.
Given You Ina
Materia yourself
- -
-
66.
stormed out He young
husband -
- -
of the house place
67.
had been struck
her husband
Ina Materia -
- -
68.
went She Ina
Materia -
- -
to see to him purpose
69.
wrapped She Ina
Materia Him baby
- -
in a blanket means
70.
took up She Ina
Materia her tempat
pinang -
- -
71.
left She Ina
Materia -
- -
-
72.
headed She Ina
Materia -
- -
into the mountains
place
73.
could not stop
She Ina Materia
crying -
- -
74.
went She Ina
Materia -
- -
to brush the tears from her
lids purpose
b. Mental Processes
c. Verbal Processes No.
Verbs Participants
Circum Sayer
Verbiage Target
1.
sang She Ina
Materia -
- -
2.
asked the
young man
- -
The following day time
to visit with their daughter purpose
3.
expressed the
young man
his desire -
to make Ina Materia his wife
purpose
No. Verbs
Participants Circum
Senser Phenomenon
1.
noticed the young man
Ina Materia The first
time time during the
Aru Gele dance time
2.
shone -
her uplifted face in the pale
light place as she sang
time
3.
feigned the young man
disinterest in the
performance place
4.
preferred He the young
man the peace and solitude
-
5.
did not like He the young
man the idea of the other men
of the village staring at his beautiful wife
-
6.
staring the other men of
the village -
at his beautiful
wife place
7.
looked down She Ina Materia -
at the sarong her
husband’s father had
given her place
8.
have been accused
- I Ina Materia
the sin of which
matter
4.
had been instructed
Ina Materia’
s mother and
father they
- -
5.
said the
young man’s
father This is our
gift to you both
- -
6.
proclaimed He the
young man’s
father “Let it be a
symbol of your
devotion to one
another. Let no one
ever
see you
dressed in anything
else” -
-
7.
said The
young man
that he
preferred the peace
and solitude,
which was true
Ina Materia -
8.
told her
husband tales of his
hunting exploits
- -
9.
told Ina
Materia “I will take
our son
and collect firewood,”
Him the young man
-
10.
said He The
young man
“Why so late
returning my love?
And why so
little wood?”
- in a strange voice
manner
11.
interrupted the
young man
“What is that sarong
that you
are wearing?
her -
12.
shouted He The
young man
“Liar You have
betrayed me
and given
yourself to another
man” -
-
13.
to ask She Ina
Materia -
him -
d. Relational Processes No.
Verbs Participants
Circum Carriers
Attribute Identifier
Identified
1.
were -
- two
beautifully woven
and dyed ikat
sarongs Inside
-
2.
is -
- our gift to
you both This
-
3.
be -
- a symbol
of your devotion
to one another
it -
4.
was that he
preferred the peace
and solitude true
- -
-
5.
was a boy of
whom the young
father proud
- -
Immensely manner
6.
was it
filthy -
- -
7.
was It
dark when she
arrived time
8.
was it
Aflame -
- -
9.
is It
my cousin’s - -
10.
are not You
fit -
- to be my
wife purpose
315
Appendix 6:
The Modality Analysis of Human Being Powerlessness
1. The Tears of Empu Mburing
No. Modal in the clauses
Proposition Proposal
Ability Poten
tiality
Probability Usuality
Requirement Inclination
1.
Of all the fish that EmpuMburing would catch, the one that he loved the most was the ikanteri.
- Low
- -
- -
2.
...but what should he find when he drew the net in but five fat teri fish.
Low -
- -
- -
3.
And what should emerge in his net but three fat teri fish
Low -
- -
- -
4.
Out he went in his perahu, but no matter how any times he cast his net, he could catch nothing.
- -
- -
✓ -
2. Siti Fari and Empu Rencak
No. Modal in the clauses
Proposition Proposal
Ability Pote
ntial ity
Probability Usuality
Requirement Inclination
1.
Sometimes he would walk the few kilometres to the shore to hunt for crabs and shrimps.
- Low
- -
- -
316
3. The Mesa Itch
No. Modal in the clauses
Proposition Proposal
Ability Pote
ntial ity
Probability Usuality
Requirement Inclination
1.
He always sailed a true course and at speeds that no other ship could match.
- -
- -
✓ -
2.
The crew did what they could to patch up the damage,
- -
- -
✓ -
3.
but nothing could really be done until they reached the land.
Low -
- -
- -
4.
Many ships pass by and you will find safe passage to Flores.
Low -
- -
- -
5.
in search of the stream that he could hear.
- -
- -
✓ -
6.
When finally he thought he would go mad with the itching,
Medium -
- -
- -
7.
“But how can I return to that agony” he thought.
- -
- -
✓ -
8.
I will do anything to rid myself of this curse
– an any other who suffers under
it” -
- -
High -
-
317
4. The Pirates of Gili Motong
No. Modal in the clauses
Proposition Proposal
Ability Pote
ntial ity
Probability Usuality
Requirement Inclination
1.
so they could not seek out ships on the open sea.
- -
- -
✓ -
2.
“my brothers, we shall either starve to death or destroy
ourselves with pointless in –fighting unless we act
now” High
- -
- -
-
3.
“But what can we do?” his men replied, “there are no
more ships and our swords are rusting in their sheaths” -
- -
- ✓
-
4.
“Then we must go abroad and seek the ships that no
longer pass nearby,” their leader declared. -
- High
- -
-
5.
“The current must have pushed us off course to the
west” their leader murmured. High
- -
- -
-
5. The Dragon Princess of Komodo
No. Modal in the clauses
Proposition Proposal
Ability Pote
ntial ity
Probability Usuality
Requirement Inclination
1.
The two would climb trees together,
- High
- -
- -
2.
He was a gentle gardener who could coax even the most stubborn plants to grow
- -
- -
✓ -
