Inter-sentential Code Switching Types of Code Switching in Chapter Three of Efendi’s

“ Please someone just shoot me so I can get over it already ” here expressing connotation, because the speaker does not literary meant to shot her. The word shot here used as connotation so that the Maybella can forget about the vintage boots bid before. The following data is the fourth data of inter-sentential code switching found in Unbelievable : Data Code Text 6142ITESBES “Hello, Maybella. What’s up with our favorite model?” Orang- orang media senang banget memuji model- modelnya. Mungkin karena di sana hampir nggak ada beautiful people kayak kami. This chapter focused on the life of Maybella before the incident between Maybella, Rashi and Marion happened. In this context, Maybella tells the story about her life as a model. She tells about Hayden, a reporter of a magazine which she is being a model of. As stated previously that the writer sees the novel as a story which is being narrated and reenacted by Maybella, all the dialogues and conversation will be seen as it is quoted. In this context, Maybella is quoting Hayden’s utterances in English. Hayden greets Maybella in their first meeting after a while. In the Hayden’s greetings, code switching happens. Maybella narrated the story happened in Indonesian, then she switch the language into English as she quoted Hayden’s utterances. Based on the data above, the code switching occurs is in a form of sentence. Because the code switching occurs is in a form of a sentence and occurs between sentence, it is called inter-sentential code switching. The inter-sentential code switching here occurs in the Hay den’s utterances quoted by Maybella when he greets Maybella. In this context, the switch from Indonesian into English marks the differences between narrative and dialogue parts. The last data provided found in a form of inter-sentential code switching is placed in page 70. Here is the data below: Data Code Text 7043ITESEGI Hayden menjentikkan satu jari di daguku see , ini yang bikin aku mengira dia straight , dan tertawa lepas. “Masih, dong. Maybella, kan, selalu jadi it girl kita yang nomor satu.” So I laughed and shrugged it off , tapi besok- besoknya kejadian lagi, saat aku hadir di premiere launching produk Lancome yang terbaru —Oscillation Mascara, yang punya teknologi getar untuk aplikasi penebalan bulu mata neat, huh. Ada beberapa cewek yang setelah habis- habisan memperhatikan dan mengomentari dress kuning pucat Pucci yang kupakai, tiba- tiba aja menegur, “Hai, lo Maybella, kan? Temennya Rashi? Rashi- nya mana, kok nggak dateng?” Whatever the heck happened to the Upper East Side now Jakarta- based It Girl? Dan, itu nggak cuma kejadian sekali dua kali aja. Sadar maupun nggak sadar, suka maupun nggak suka, aku sekarang lebih dikenal sebagai Maybella-nya Rashi. This novel is narrated by Maybella who is also one of the main characters. As this novel is being narrated and re-enacted by Maybella and this novel is telling about her story, there are times when she adds her perspectives and expressing her feeling as if she talks to the reader. In this context, Maybella tells about her life after being friends with Rashi. Rashi’s name has always been stick to Maybella since then. In this case, Maybella tells about what happens with her in a premiere launching a product named Lancôme which she meets some women greet her and ask about Rashi instead of herself. At this time, Maybella retells the story happened in Indonesian, but then code switching happens. Maybella switches her story in Indonesian into English in the next sentence which says “Whatever the heck happened to the Upper East Side now Jakarta- based It Girl?” The code switching occurs in end of paragraph to end the topic. It can be seen that in the previous paragraph, Maybella is using Indonesian to tell the story, but then she switches the language by using English for the end of paragraph. This code switching used as an interjection from the previous paragraph to the following paragraph, to end the topic, because in the next paragraph, Maybella is no longer talk about it. Based on the data above, the code switching occurs in a form of sentence. Because the code switching occurs in a form of a sentence and occurs between sentence, it is called inter-sentential code switching. The inter-sentential code switching here occurs in the narrative part stated by Maybella. The inter-sentential code switching occurs as the transition from the previous paragraph to the following paragraph. It shows that Maybella retells the comments said by some PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI women to her and the author expressed Maybella’s responds in a thought using English.

3. Intra-sentential Code Switching

Intra-sentential code switching is the code switching which occurs within a sentence or a clause. The switch here occurs in the middle of a clause or sentence. Different from the other types, the writer found that intra-sentential code switching occurs as a phrase can occurs and be used in different grammatical function, such as subject, predicate, object, complement and adjunct. Based on the data, the writer found many intra-sentential used. The example of intra-sentential code switching is provided below:

a. Noun Phrase

Data Code Text 1337ITASTPT Sepanjang malam, fashion people paling trendi di New York keluar masuk limo dan berpose untuk kamera, sedangkan aku cipika- cipiki sana- sini dengan sesama model dan editor majalah. Kemudian, aku melihat seorang cewek yang datang agak terlambat, sedang berpose di entrance untuk para paparazzi — I call them vultures, you know how they‟re ALWAYS hunting for a good prey? This chapter begins with a story happens in New York. It tells about Maybella’s first encounter with Rashi which lead them to be friend in Jakarta soon after. They first meet in an anniversary party of prestigious boutique in New York. In the post- party of it, they begin their interaction. In this context, Maybella tells the story about the occasion happens in the anniversary party. She describes that all night the most trendy fashion people are coming in and out from the limousine and pose for the camera. At this time, code switching occurs within Indonesian sentence to define fashion people. She describes the people attend there as fashion people. This “ fashion people ” means the people who know about fashion, had knowledge about fashion and people whose job is about fashion. Based on the data above, the speaker switches Indonesian into English in a form of a phrase. The intra-sentential code switching occurs as a phrase “ fashion people ” in the middle of the sentence. The phrase “ fashion people ” here occurs as a subject of the sentence. In this case, the phrase “ fashion people ” is a noun phrase with people as the head. The code switching “ fashion people ” occurs in the narrative part when Maybella tells about what happen that night at the anniversary party event. Below is the second data of intra-sentential code switching in a form of noun phrase provided: Data Code Text 8545ITASTPT Menurut Marion, satu- satunya kekurangan Rashi adalah keuntungan buat kami. “Rashi punya banyak banget haters. Coba, deh, lo minta orang- orang di VIS yang benci banget sama Rashi buat angkat tangan. Gue berani jamin, hampir semuanya bakal langsung melakukannya.” Hmmm. Bener juga, sih. Lalu, lahirlah game plan untuk menjatuhkan Rashi. Teori Marion adalah, orang- orang nggak berani ngelawan Rashi karena mereka takut. Kalau VIS punya clique leader baru yang disukai, akan lebih mudah mengumpulkan sekutu untuk melawan Rashi. Maka, kami merencanakan anonymous hate mails yang dimasukkan ke dalam loker Rashi, juga gosip- gosip yang dituliskan di dinding toilet cewek dan gasp cowok, semua tujuannya nggak lain untuk menghancurkan reputasinya. This chapter also focused in the friendship of Rashi and Maybella, the two main characters of the novel. In this novel, both of the main characters are described as student of an international school named Voltaire which also being called by VIS. In VIS, Rashi is said to be one of the most influenced person because of her competence and popularity in the fashion field. In this context, Maybella and Marion want to take Rashi down, because they are already tired and fed up to be labelled as Rashi‟s sidekick. In order to take Rashi down, they plan to make anonymous hate mails for her. In this case, there are some code switching occurs within Indonesian sentence; one of them is anonymous hate mails . The code switching “ anonymous hate mails ” refers to the mails which written as anonymous and contains hatred things. This “anonymous hate mails” is a part of Marion and Maybella’s plan to take Rashi down. Based on the data above, the speaker switches Indonesian into English in a form of a phrase. The intra-sentential code switching occurs as a phrase “ anonymous hate mails ” in the middle of the sentence. The phrase “ anonymous hate mails ” here occurs as an object of the sentence. In this case, the phrase “ anonymous hate mails ” is a noun phrase with mails as the head. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

b. Verb Phrase

Data Code Text 8946ITASTPT Aku nggak segitu desperate -nya sih, sebenarnya, ketika menyampaikannya ke Marion, dia hanya bilang dengan cueknya,” Do you want your spotlight back or not? Lagian, gue nggak ngerti kenapa kita harus acting all saint-like kayak gitu, padahal Rashi sendiri sering ngancurin hidup orang dengan cara yang sama.” Waktu itu, aku nggak bisa bilang apa- apa, karena Marion benar. Ini bukan waktunya besikap seperti malaikat. Tapi, sebelum rencananya mantap, clique kami keburu kepecah dua. Marion pacaran dengan Gilang, mantan pacarnya Rashi, tanpa sepengetahuan kami berdua.Rashi yang tahu dari Lukas langsung mengamuk. Tiba- tiba, masalah ini jadi besar — everybody, and I mean EVERYBODY is talking about it. This section focuses on the story about Maybella and Marions plan to take Rashi down. Marion and Maybella feel that they are only become Rashis sidekick and become sick of their labels. Then in one occasion, Maybella told Marion and it lead them to make a game plan to take Rashi down. In this context, Marion who is described as one of Rashis sidekick feels that they can take their spotlight back and take off their sidekick title. Marion persuades Maybella to not act like a saint. At this time, code switching occurs within Indonesian sentence in Marion’s utterances quoted by Maybella. The code switching used to describe “acting all saint - like ”. The code switching “ acting all saint- like ” means an act which is like a saint, can be described as kind, pure, and does not have any evil deeds. In this context, Marion said that they Maybella and her do not have to act like a saint and pretending to be nice. Based on the data above, the speaker switches Indonesian into English in a form of a phrase. The intra-sentential code switching occurs as a phrase “ acting all saint-like ” in the middle of the sentence. The phrase “ acting all saint-like ” here occurs as an object of the sentence. In this case, the verb phrase appears in the form “ acting all saint-like ”. Based on the theory written in the chapter two of this research before, the verb phrase can only appear in the form of present or past tense. In other words, the code switching “acting all saint-like” is not supposed to belong to verb phrase, but the writer sees this data as the whole context. The code switching appears in one sentence : “Lagian, gue nggak ngerti kenapa kita harus acting all saint-like kayak gitu, padahal Rashi sendiri sering ngancurin hidup orang dengan cara yang sama.” The sentence was divided into: “gue nggak ngerti kenapa kita harus acting all saint-like kayak gitu ”. “I do not know why we must acting all saint-like that” In the data above, the word “gue” I uses as the subject, “nggak ngert” do not know as the predicate and “kenapa kita harus acting all saint-like kayak gitu” why we must acting all saint-like that as the object. The object of the sentence, “kenapa kita harus acting all saint-like kayak gitu”, then divided into: “Kenapa kita harus acting all saint-like kayak gitu” Why we must acting all saint- like like that