Long forms LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
1. Establishing the topic
The suffix -de-te is used to establish or set the topic of a conversation. When a situation is obvious, two people can start talking about it without setting the topic of the conversation. For example, if a person arrives limping, the other person is likely to ask, ―What happened?‖ He does not need to say something like, ―Concerning your limping, ...‖ in order to get the conversation focused on the person‘s sore leg. The situation makes the nature of the opening question obvious. Often, however, a person wishes to start talking about something that is not obvious, or about a topic which has not been mentioned earlier in the conversation. Possibly he wishes to ask about someone who is not present. The person who is starting to talk about a new topic adds the suffix -de-te to the item or name of the person which is now in focus. Examples 1. ¿Pedrode, pia nad? ‗And concerning Peter, where did he go?‘ 2. ¿Masde, igi mani? ‗And concerning plantains, how much are they?‘ A common use of -de is in the greeting, tegidde ‗So what‘s new with you?‘ In this case, the topic is changed to the person who is arriving. The affected object suffix -ga-ka see 10.4.8 may be added to the -de-te form when appropriate. Example Antega, an weli. ‗As for me, I‘m happy.‘2. Progression of topic
In conversation, a speaker generally moves from one aspect stage of a subject to another. For example, in selling, the salesman and buyer might first discuss the price. Once the price has been settled, he will move on to discuss the time the goods are to be delivered. The suffix -de-te serves to mark the point at which the conversation progresses from one point to the next point stage. The speaker often marks the end of one stage of the conversation by saying nabirde ‗okay‘. Nabirde ‗okay‘ is formed by adding the topic marker -de-te to the word nabir ‗fine‘. It is similar to the English expression, ―Fine. Now then about the ...‖. That is to say, -de-te is used to indicate that one part stage of the topic price has been handled, and we are now ready to discuss the next part of the arrangement time of delivery of the goods.3. Allegation
The suffix -de-te may be used as an allegation, but it may not be used as an affirmation. Examples1. Wag an es aturchasde.
‗The outsider stole allegation my machete.‘2. Wag an es aturchado.
‗The outsider did steal affirmation my machete.‘4. Complete change of topic
The suffix -din-tin is used to indicate a complete change of topic, for example, when the subject is changed from palu ‗salt‘ to ostigiddin ‗sugar‘ in Dialogue 7.1, sentence 7. The use of -din-tin is discussed in Section 3.4.5.5. Conclusion
The suffix -do-to indicates the conclusion resolution of a conversation and is equivalent to the English expression, ―Let‘s go, then.‖ or to the Spanish expression, ―Vamos pues.‖ 296 Topics of Conversation Example Nemaldo. ‗Let‘s go, then.‘6. Affirmation
The suffix -do-to is also used to affirm something. Example An wichuldo. ‗I do not know.‘7. Word order
The normal word order in Kuna is subject + object + predicate. Example Omedin we mol pakcha. ‗The woman bought that blouse.‘ ―The woman‖ in the above example is not only the subject of the sentence, but also the topic of the conversation as indicated by the topic-establishing suffix -din. In another situation, it might be the blouse which is under discussion, and the speaker merely comments on the fact that the woman bought it. In that case, the topic of conversation is the blouse and a Kuna speaker would change the word order of the sentence by putting the topic the blouse first; i.e., topic object + subject + predicate. The topic is always first in a Kuna sentence following any setting or conjunction, and usually occurs with a topic-establishing suffix -din-tin. Example We moldin, ome pakcha. ‗That blouse was bought by the woman. Lit.: As for the blouse, the woman bought it.‘ In summary, it may be said that when the subject of the sentence is not the topic of conversation, the normal word order is rearranged and the topic is positioned at the beginning of the main part of the sentence. 297 APPENDIX F: FURTHER NOTES ON -BAL-PAL When the suffix - bal-pal is used in conjunction with the desiderative suffix -bi-pi, the order of the suffixes varies according to the significance of the utterance. That is to say, the order of suffixes varies according to the focus of the desire.1. Desire to repeat an action
In order to express a desire to repeat an action, the suffix -bal-pal precedes the desiderative -bi-pi. Example Machi mas kunpalbi. ‗The boy wants to eat again.‘2. Repeated desire
When it is the desire which is repeated, rather than the action, the desiderative -bi-pi precedes -bal-pal. Example Machi mas kumpibal. ‗The boy again wants to eat.‘3. Use of -bal-pal in repeated incident
Occasionally, it is necessary to repeat an entire incident. In this case, each repeated verb in the incident uses the -bal-pal suffix. Examples Incident 1 1a. Tule immal takcha. ‗The man saw an animal.‘ b. Tegine immal makcha. ‗And he shot it.‘ Incident 2 2a. Kujal tule immal takchabal. ‗Later, the man saw the animal again.‘b. Tegine makchabal.
‗And again he shot it.‘ 298 APPENDIX G: IRREGULAR VERBS WITH LONG FORM -KE The long form of most verb stems is achieved by the addition of -e to the shortened verb stem, for example, pake ‗to buy‘ and noe ‗to rise‘. Short verb stems which end in -ma or -ta 133 are lengthened by the addition of -ke. Examples 1. abarmake ‗to run‘ 2. nermake ‗to write‘ 3. imake ‗to do‘ 4. aptake ‗to wait‘ 5. pentake ‗to help‘ When other suffixes are added, -k is retained in some cases and dropped along with e in other cases. Examples1. imako
‗will do‘2. aptako
‗will wait‘3. nermakal
‗begin to write‘4. abarmakal
‗begin to run‘5. aptakal
‗begin to wait‘ 6. nermas ‗wrote‘ 7. pentas ‗helped‘ 8. ¡Nerma ‗Write‘ With the present progressive, there is a difference in meaning between the long form, which seems to indicate ―on a continuing basis,‖ and the short form, which simply means the action is in progress. Example 1. An pe pentanai. ‗I am helping you.‘ 2. ¿Pe Pedro pentaknai? ‗Are you helping Peter from day to day?‘ Following is a comparison of regular and irregular verb forms: Form Regular verb -ke verb gerundial pake nermake habitual pak nerma desiderative pakpi nermabi completed pakcha nermas immediate future pakne nermane future pako nermako present progressive paknai nermanai past progressive pakap nermakap inceptive aspect pakal nermakal preparatory aspect pakchogal nermajogal 133 Note that the -k is part of the short form in some verbs; compare, for example, take and tae: take ‗to see‘ make ‗to piercesewshoot‘ tae ‗to behave‘ mae ‗to peck for food‘ tage ‗to come‘ mage ‗to paint‘Parts
» LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ulu Pronunciation of individual vowel and lenis consonant sounds
» Mai versus chi Use of personal pronouns The first and second person personal pronouns an
» Dialogue Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation of individual fortis consonant sounds Ex. 4 –8
» Vowel length Ex. 9 Pronunciation
» Distinguishing between fortis and lenis consonants Ex. 10 –27
» Consonant clusters Ex. 28 Pronunciation
» Word order Ex. 29 –30 Grammar
» Intonation patterns of questions and answers Ex. 4 –10
» tada Pronunciation of consonants at the beginning of a word
» kobe Pronunciation of consonants at the beginning of a word
» chobe Pronunciation of consonants at the beginning of a word
» sagla Pronunciation of consonants at the beginning of a word
» mama Pronunciation of consonants at the beginning of a word
» nana Pronunciation of consonants at the beginning of a word
» lele Pronunciation of consonants at the beginning of a word
» Pronunciation of monosyllabic words Ex. 11
» Dialogue Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Intransitive sentence word order
» Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation of consonants at the end of words Ex. 3
» zhw is pronounced like su in
» mw does not occur in English, but there should be no difficulty in producing this sound.
» kw is pronounced almost like cu in cuarto
» gw is pronounced almost like gu in agua
» tw is pronounced almost like tu in santuario
» dw is pronounced almost like du in Eduardo
» chw is pronounced almost like chu in tachuela
» Verb tense in completive aspect Verb form in completive aspect Ex. 8 –10
» Confirmation please repeat questions
» Dialogue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Conversation Listing Pronunciation and Intonation Ex. 1 –4
» aktigal kabo Numbers Ex. 5 –15
» tagar kabo Numbers Ex. 5 –15
» karta kabo Numbers Ex. 5 –15
» nalas kagan kabo Numbers Ex. 5 –15
» achu walanerkwa Numbers Ex. 5 –15
» kukualed walaatal Numbers Ex. 5 –15
» mas walbake walabake Numbers Ex. 5 –15
» puwal walpá walapá Numbers Ex. 5 –15
» mas walakugle Numbers Ex. 5 –15
» kallin kwabo Numbers Ex. 5 –15
» kwi kwakugle Numbers Ex. 5 –15
» Tad kwagwenna chi. Numbers Ex. 5 –15
» ulgo matabo Numbers Ex. 5 –15
» wini matabake Numbers Ex. 5 –15
» Culture sabured koanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kachi koakugle LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» yogal koapabak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» mol koaambe LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chan koanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chowal chaglanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chia chaglakugle LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kunnu chaglapabak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ogob chaglabakebak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Listing Things and events in Kuna are listed in their long form, and the conjunction tegine
» Conversational intonation Ex. 1 –2 Disclaimer nothing-special-is-happening response Ex. 3
» Pointing Counting with fingers
» Eswal mai. Positional verbs Ex. 4 –5
» Aktigal mai. Positional verbs Ex. 4 –5
» Karpa chi. Positional verbs Ex. 4 –5
» Nalas chi. Positional verbs Ex. 4 –5
» Kan chi. Positional verbs Ex. 4 –5
» Pude chi. Positional verbs Ex. 4 –5
» Esmed chi. Positional verbs Ex. 4 –5
» Kachi nai. Positional verbs Ex. 4 –5
» Kukualed nai. Positional verbs Ex. 4 –5
» Choul nai. Positional verbs Ex. 4 –5
» Nuzha ampa nai. Positional verbs Ex. 4 –5
» Yannu ampa nai. Positional verbs Ex. 4 –5
» Pagla kwichi. Positional verbs Ex. 4 –5
» Achu wegin un. Positional verbs Ex. 4 –5
» Mol mai. Positional verbs Ex. 4 –5
» Mol chi. Positional verbs Ex. 4 –5
» Mol pukwa. Positional verbs Ex. 4 –5
» Machi mai. Positional verbs Ex. 4 –5
» Mu chi. Positional verbs Ex. 4 –5
» Pun chi. Positional verbs Ex. 4 –5
» Machi chi. Positional verbs Ex. 4 –5
» Pedro saglaga mai. Positional verbs Ex. 4 –5
» Alvaro tummadga mai. Positional verbs Ex. 4 –5
» Juan, Luisbal nai. Positional verbs Ex. 4 –5
» Present progressive tense-aspect Ex. 6 –9
» Dialogue Mimmi kabzhi. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Wag kabgwis. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Disclaimer nothing-special-is-happening response Ex. 10
» Unit price intonation pattern Ex. 4 –5
» Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» tagar kukbo Numbers Ex. 6 –19
» tagar kukukugle Numbers Ex. 6 –19
» Kaie negchaled tanpá. Numbers Ex. 6 –19
» Nagwal tananerkwa. Numbers Ex. 6 –19
» Illustrated comparisons of Group I and Group III number prefixes
» Money units Ostigid libergwen.
» Mol tarpabak. maniatal Numbers Ex. 6 –19
» olmanitulagwen kakaambe Numbers Ex. 6 –19
» tummibo pirkaambe Numbers Ex. 6 –19
» ni walanerkwa Numbers Ex. 6 –19
» Response by repetition Pronunciation and Intonation
» Yielding-the-floor response Ex. 1 –4 Pronunciation and Intonation
» Aspects of topographical features
» Locative adverbs Adverbs of location which usually occur without a stated reference point
» Pronunciation: Tracking and Mimicry Ex. 1 –3
» Word order of a noun phrase Ex. 4 –5
» cheredzhuli nuedzhuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kollojuli totojuli tummajuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» muiduli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» istarchuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» arradzhaled chiayob Colors Ex. 7 –10
» Attributive sentence Ex. 11 –14 olobijuli
» Existence sentence Ex. 15 olobijuli
» Quantity 39 –42 Useful expressions 43 –45 Vocabulary
» Pronunciation Ex. 1 –3 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Nan mas tune. Verb tense-aspect future Ex. 4 –7
» Nan mas tuo. Verb tense-aspect future Ex. 4 –7
» Eswal ilagin kwichio. Verb tense-aspect future Ex. 4 –7
» Including an additional participant in an action Ex. 8 –9
» An machiga chogzha. Indirect object Ex. 14
» Pronunciation: Intonation of Conversation Sustainers Ex. 1 –3
» Establishment of topic Ex. 4
» Sustaining the topic Grammar
» Pan an ne. ‗I am going tomorrow.‘
» An pedu ne. ‗I‘m going to go on ahead of you.‘
» An pe cholbal ne. ‗I‘m going to go after you.‘
» Mas kunnoedgin iti ina kobo.
» An kinki elisgu an immal aminad.
» Pronunciation Ex. 1 –2 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Extended use of -gad-kad -gad-kad is used in the sense of
» tulegan Concept of pluralization Ex. 6 –18
» yannumal Concept of pluralization Ex. 6 –18
» omemal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» nanmal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» nanzhelmal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ¿Igi kude? Verb ku ‘to happenbecome’
» ¿Igi kunani? Verb ku ‘to happenbecome’
» ¿Igi kudi? Verb ku ‘to happenbecome’
» ¿Igi kus? Verb ku ‘to happenbecome’
» ¿Igi an kuo? Verb ku ‘to happenbecome’
» ¿Igi ankin kuo? Verb ku ‘to happenbecome’
» Teob kus. Verb ku ‘to happenbecome’
» Tegin tar mecha. ‗Then he killed it.‘
» Change-of-topic marker te choggudina Te
» Te ulal pe anka akan pid pakena That’s exactly why you have to buy me another one.‘
» Pronunciation Ex. 1 –4 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Preparatory aspect –chogal-zhogal-jogal Ex. 7–8
» Habitual aspect condition Ex. 9 –10
» Response to the habitual aspect condition Ex. 11
» Purpose suffix -gal-kal Ex. 13 –15
» turwigal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pedro saglaje ekisbi. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» An saglaga pegin chogzha. ‗I told the chief about you.‘
» An saglaga pebal chogzha. ‗I told the chief what you said.‘
» An saglaje pegin ekichis. ‗I asked the chief about you in general, How are
» Direct speech An saglaje pebal ekichis. ‗I asked the chief about what you said.‘
» Verbs of thinking An saglaje pebal ekichis. ‗I asked the chief about what you said.‘
» Exclusive action adverb unila ‘only’ Ex. 28
» Vocabulary Dialogue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Intonation of commands Ex.1 –2
» Very polite commands ¡Kwiskuma ‗I told you to stand up‘
» Indirect command The word meke
» Pemal, anche tagmalo. Commands: DirectPolite Ex. 3 –21
» Pemal, wis negwelmalo. Commands: DirectPolite Ex. 3 –21
» Uadin, toto chul. Negatives Ex. 22 –30
» Culture Ampayo. ‗Not yet.‘ Vocabulary
» ¡Tage Motion verbs Ex. 5 –13
» Eye. Natab. Motion verbs Ex. 5 –13
» Tago, tegil. Motion verbs Ex. 5 –13
» Pe nao. Motion verbs Ex. 5 –13
» Eye, an natab. Motion verbs Ex. 5 –13
» Pan, pe tagbalo. Motion verbs Ex. 5 –13
» An tanibal. Motion verbs Ex. 5 –13
» Carlos anche tani. Motion verbs Ex. 5 –13
» Eye, peje natap. Motion verbs Ex. 5 –13
» Carlos peje ne. Motion verbs Ex. 5 –13
» Eye, anche tani. Motion verbs Ex. 5 –13
» Carlos anmalzhe tani. Motion verbs Ex. 5 –13
» An pirkal tani. ‗I‘ve come but not to stay.‘
» An meg tani. ‗I‘ve come to overnight.‘
» Story-telling intonation Ex. 1 –3 Pronunciation
» Good story-telling style Pronunciation
» Dialogue Toas, an imas. ‗Bang I shot it.‘
» ¡Motok Mer-mer-mer-mer pes. ‗Thud His wings went whir-whir-whir-whir.‘
» Ul tummad noni; ul chichidi. ‗A big canoe arrived; a black canoe.‘
» Peripheral element omitted in the main clause and unexpanded in the postpredicate position
» An mol ukcha; nanga. ‗I gave the cloth to Mother.‘
» An ne; mutik. ‗I am going tonight.‘
» Koe un; chapurbal. ‗A deer is in the jungle.‘
» An ne; negzhe. ‗I am going to go home.‘
» Machi ne; kueye-kueye. ‗The boy is going to go quickly.‘
» Machi ua ukcha; nanga. ‗The boy gave the fish to Mother.‘
» Machi nanga ua ukcha; nanga. ‗The boy gave Mother the fish.‘
» Machi achu parpad mecha; achu tummadi.
» Culture Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kobed LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Positional verb of motion Ex. 6 In Lesson 6, the positional verbs mai
» Mas chike. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Chapurbal ne; antin. ‗I am going to the jungle.‘
» Nad; Luisdin. ‗Louis, went.‘
» Monologue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Machergandin nabir we tak. ‗The men are allowed to look at that.‘
» Tegin antin kannan negzhe nadzhun. ‗Consequently I went back home.‘
» odurta okun ogob LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Melle neg chobgal machi imako.
» Machi chikles. Impersonal passive suffix -le-lle Ex. 13
» Koe makles. Impersonal passive suffix -le-lle Ex. 13
» We nugu kullege. Impersonal passive suffix -le-lle Ex. 13
» An obap. Habitual behavior aspect
» Ome mas chuap. Habitual behavior aspect
» An tulemalzhe ekisap. Habitual behavior aspect
» Folktale LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation Ex. 1 –4 Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pablo te mecha. ‗Paul killed it that same one.‘
» An te ukcha. ‗I sold it that same one.‘
» Amal. Indefinite and indeterminate pronouns .1 Indefinite pronouns
» General principles used in construction of more common contrary-to-fact sentences
» Machi eswal tub nikujalen, ua chwajan.
» An Payche arpiilen, Luis takchan. An neelen, an wartikuoen.
» An motor pin nikalen, an Panamaje naoen
» Machi toto kammaiilen, tadbak nadzhulin
» Mol webal naiilen, wartikunen.
» Wishing optative An mol pakneelen, an pega pakmogoen.
» ¿Piawa? ‗Where could it possibly be?‘
» ¿Inkwawa? ‗When could it possibly happen?‘
» ¿Ibiwa? ‗What‘s wrong? Lit.: What possibly?‘
» A yannudin igalgin mellemai. ‗That peccary was sprawled out on the trail.‘ Vocabulary
» Long forms LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Tegine makchabal. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» e., not: words LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Reason LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Problem Speaking only Kuna will increase cultural stress.
» The necessity of setting a limit to the exceptions
» Opportunities LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Methods LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Noting the setting LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Gestures Note the accompanying gestures and facial expressions.
» Language learning expressions LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Eliciting information138 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Correcting It is important that the people correct you all the time. Now this is hard to do.
» Keep going LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Evaluate yourself LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Living LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Time LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Planning your contacts with people
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