Dialogue Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
3.2.3 Intonation patterns of questions and answers Ex. 4 –10
In Kuna, questions and answers have different intonation patterns.3.4.2.2 Intonation pattern of answers
As you get into the Kuna language and people try to get to know you, you will find that your early conversations are primarily question and answer interactions. Both the questions and the answers in Kuna have specific intonation patterns. For the purpose of these lessons, consider the normal pitch to be that of a statement. Exercise 4 . Answer intonation drill The teacher says Dialogue 3.1 and the student reads the dialogue, humming the intonation quietly as the teacher reads aloud. Pay special attention to the intonation and pitch of the answers.3.2.3.2 Intonation pattern of questions
A question has a different intonation pattern from a statement. The actual order of words in a question which requires a yesno answer is the same order as for a statement. Because the word order does not vary, it is important that you learn the intonation patterns for questions versus statements in order to distinguish a question from an answer. In Kuna, the pitch at which the question is said is higher than the pitch of a statement. The last word of a question is even higher pitch than the rest of the question and then the pitch of that word falls off quickly. Exercise 5 . Yesno question intonation drill Mimic the intonation of the teacher by humming the the intonation of the following questions. 1. ¿Pe mas chikne? ‗Are you going to cut plantains?‘ 2. ¿Pe mol pakne? ‗Are you going to buy cloth?‘ 3. ¿Pe ogob tigne? ‗Are you going to plant the coconut?‘ 4. ¿Pe ua tune? ‗Are you going to cook the fish?‘ 5. ¿Machi ob kunne? ‗Is the boy going to eat the corn?‘ 6. ¿Machi chowal chikne? ‗Is the boy going to cut the firewood?‘ 26 Conversational Replies Exercise 6 . YesNo question intonation pattern drill The teacher drills the class using Sentences 1 –5 below as yesno questions. Example Teacher: ¿Machi ob kunne? Student: ¿Machi ob kunne? 1. ¿Machi ob kunne? ‗Is the boy going to eat corn?‘ 2. ¿Machi mas chikne? ‗Is the boy going to cut plantains?‘ 3. ¿Machi immal amine? ‗Is the boy going to hunt something?‘ 4. ¿Machi ina komne? ‗Is the boy going to drink the medicine?‘ 5. ¿Machi ul chune? ‗Is the boy going to fetch the canoe?‘ Note : The lenis consonant b becomes m when it occurs before n Example kob + -ne = komne ‗going to drink‘ Exercise 7 . Statement intonation pattern drill The teacher drills the students using Sentences 1 –5 below as statements. Example Teacher: Machi ob kunne. Student: Machi ob kunne. 1. Machi ob kunne. ‗The boy is going to eat corn.‘ 2. Machi mas chikne. ‗The boy is going to cut plantains.‘ 3. Machi immal amine. ‗The boy is going to hunt something.‘ 4. Machi ina komne. ‗The boy is going to drink the medicine.‘ 5. Machi ul chune. ‗The boy is going to fetch the canoe.‘ Exercise 8 . Question and statement contrast The teacher says one of the sentences above. The student has to identify whether the teacher has uttered a question or a statement and writes ―question‖ or ―statement‖ on his answer sheet. Examples Teacher says: ¿Machi immal amine? Student writes: question Teacher says: Machi mas chikne. Student writes: statement If difficulty is experienced by the student in hearing the differences in the exercise, then the student should practice Exercise 9. Exercise 9 . Question and statement contrast The student should listen while the teacher repeats Sentences 1 –5 in Exercise 6 above. The teacher then inserts the following sentence between Sentences 4 and 5 as a statement A or as a question B. The student has to tell the teacher which has been used -- a question or a statement. The exercise should be repeated several times. A. Machi ua makne. ‗The boy is going to spear fish.‘ B. ¿Machi ua makne? ‗Is the boy going to spear fish?‘ Exercise 10 . Question and statement contrast Repeat Exercise 9 using the statements in Exercise 7. Again, the student needs to distinguish whether the statement A or the question B has been inserted. Note : After Exercises 9 and 10 are successfully completed, Exercise 8 should be repeated.3.2.4 Pronunciation of consonants at the beginning of a word
At the beginning of a word, the difference between fortis and lenis disappears. For convenience we have written the consonants as p, t, k, ch, m, n, l, and s. 3.3 Culture 27 Examples 1. paba ‗father‘2. tada
‗grandfatherelder‘3. kobe
‗to drink‘4. chobe
‗to make‘5. sagla
‗chief‘6. mama
‗manioc‘7. nana
‗mother‘8. lele
‗shaman uses black magic‘ Note : The lenis consonant r does not occur at the beginning of words.3.2.5 Pronunciation of monosyllabic words Ex. 11
Monosyllabic words are words which have only one syllable. Kuna words which are made up of only one vowel and one consonant, or of only one vowel are pronounced by lengthening the vowel. When such monosyllabic words are said in isolation or at the end of a sentence, the tone slides down down glides. Examples 1. ti ‗water‘ 2. an ‗branch‘ 3. u ‗nest‘ Exercise 11 . Pronunciation of monosyllabic words The teacher says a word from the list below, and the student repeats the word after the teacher, mimicking as closely as possible the down glide in these monosyllabic words. Example Teacher: ti Student: ti 1. ti ‗water‘ 2. no ‗frog‘ 3. ka ‗hot peppers‘ 4. pe ‗you‘ 5. ku ‗louse‘ 6. ma ‗to peck‘ 7. ne ‗Go‘ 8. ni ‗moon‘ 9. po ‗to cry‘ 10. tu ‗species of armadillo‘ 11. a ‗that‘ 12. e ‗hisherits‘ 13. u ‗nest‘3.3 Culture
When people first meet, there is usually an exchange of questions which helps the people become acquainted. Cultures differ as to the questions which may be politely asked in such a situation. Questions about where you have come from and where you are going are quite acceptable in Kuna. The question, ―When are you leaving?‖ is also often asked. That question does not have the same negative connotation it does in English, but rather implies the idea of, ―How long are you staying?‖ Questions concerning your parents, brothers and sisters, and wifehusband and children are bound to follow. 28 Conversational Replies In Kuna, it is quite acceptable to ask the price of items bought. If the item was a gift there is no need to disclose the value. Great care should be taken when inquiring about the success of a hunting or fishing trip. Direct questions concerning the kill or the catch may be interpreted as a requestdemand to share in the proceeds. It is much more acceptable to ask what happened on the trip than to ask what was killed or caught.3.4 Grammar
3.4.1 YesNo questions As stated in 3.2.3.2, the order of words in a question requiring an eye
‗yes‘ or chuli ‗no‘ answer is the same as the order of the words in a statement. In conversation, a question is distinguished from a statement by intonation. In writing, a question is distinguished from a statement by punctuation question marks. Example ¿ Pe mas tune? ‗Are you going to cook?‘3.4.2 Verb tense aspect - immediate future Ex. 12 –16
When an event is viewed by the speaker as being imminent the action will undoubtedly take place, the tense-aspect 11 used is called the immediate future. In using the immediate future, keep two things in mind: the immediate future suffix is added to the verb and a time reference must be either stated or implied. 3.4.2.1 Immediate future suffix The immediate future is formed by adding the suffix -ne to the verb stem. Example kun + -ne = kunne ‗going to eat‘ The Kuna immediate future parallels the English construction ‗going to...‘ and the Spanish construction ‗ir a...‘. Example An ua kunne. ‗I am going to eat fish.‘ Exercise 12 . Immediate future frame drill The teacher says Sentence 1 and the class repeats it. The teacher says Sentence 2 and the class repeats it, etc. The exercise should be repeated several times. Examples Teacher: Machi ob tigne. ‗The boy is going to plant corn.‘ Student: Machi ob tigne. Teacher: Machi ob emine. ‗The boy is going to weed corn.‘ Student: Machi ob emine. 1. Machi ob tigne. ‗The boy is going to plant corn.‘ 2. Machi ob emine. ‗The boy is going to weed corn.‘ 3. Machi ob weine. ‗The boy is going to harvest corn.‘ 4. Machi ob chune. ‗The boy is going to fetch corn.‘ 5. Machi ob kunne. ‗The boy is going to eat corn.‘ Exercise 13 . Immediate future frame drill The teacher repeats the frame and selects any word from the list below and says it. The student then substitutes the word in the frame. 11 Most tense-aspect suffixes in Kuna indicate primarily the duration, rather than the time, of an action. For convenience, they are termed ―tense-aspect‖ or frequently, simply as ―aspect.‖ 3.4 Grammar 29Parts
» LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ulu Pronunciation of individual vowel and lenis consonant sounds
» Mai versus chi Use of personal pronouns The first and second person personal pronouns an
» Dialogue Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation of individual fortis consonant sounds Ex. 4 –8
» Vowel length Ex. 9 Pronunciation
» Distinguishing between fortis and lenis consonants Ex. 10 –27
» Consonant clusters Ex. 28 Pronunciation
» Word order Ex. 29 –30 Grammar
» Intonation patterns of questions and answers Ex. 4 –10
» tada Pronunciation of consonants at the beginning of a word
» kobe Pronunciation of consonants at the beginning of a word
» chobe Pronunciation of consonants at the beginning of a word
» sagla Pronunciation of consonants at the beginning of a word
» mama Pronunciation of consonants at the beginning of a word
» nana Pronunciation of consonants at the beginning of a word
» lele Pronunciation of consonants at the beginning of a word
» Pronunciation of monosyllabic words Ex. 11
» Dialogue Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Intransitive sentence word order
» Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation of consonants at the end of words Ex. 3
» zhw is pronounced like su in
» mw does not occur in English, but there should be no difficulty in producing this sound.
» kw is pronounced almost like cu in cuarto
» gw is pronounced almost like gu in agua
» tw is pronounced almost like tu in santuario
» dw is pronounced almost like du in Eduardo
» chw is pronounced almost like chu in tachuela
» Verb tense in completive aspect Verb form in completive aspect Ex. 8 –10
» Confirmation please repeat questions
» Dialogue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Conversation Listing Pronunciation and Intonation Ex. 1 –4
» aktigal kabo Numbers Ex. 5 –15
» tagar kabo Numbers Ex. 5 –15
» karta kabo Numbers Ex. 5 –15
» nalas kagan kabo Numbers Ex. 5 –15
» achu walanerkwa Numbers Ex. 5 –15
» kukualed walaatal Numbers Ex. 5 –15
» mas walbake walabake Numbers Ex. 5 –15
» puwal walpá walapá Numbers Ex. 5 –15
» mas walakugle Numbers Ex. 5 –15
» kallin kwabo Numbers Ex. 5 –15
» kwi kwakugle Numbers Ex. 5 –15
» Tad kwagwenna chi. Numbers Ex. 5 –15
» ulgo matabo Numbers Ex. 5 –15
» wini matabake Numbers Ex. 5 –15
» Culture sabured koanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kachi koakugle LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» yogal koapabak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» mol koaambe LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chan koanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chowal chaglanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chia chaglakugle LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kunnu chaglapabak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ogob chaglabakebak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Listing Things and events in Kuna are listed in their long form, and the conjunction tegine
» Conversational intonation Ex. 1 –2 Disclaimer nothing-special-is-happening response Ex. 3
» Pointing Counting with fingers
» Eswal mai. Positional verbs Ex. 4 –5
» Aktigal mai. Positional verbs Ex. 4 –5
» Karpa chi. Positional verbs Ex. 4 –5
» Nalas chi. Positional verbs Ex. 4 –5
» Kan chi. Positional verbs Ex. 4 –5
» Pude chi. Positional verbs Ex. 4 –5
» Esmed chi. Positional verbs Ex. 4 –5
» Kachi nai. Positional verbs Ex. 4 –5
» Kukualed nai. Positional verbs Ex. 4 –5
» Choul nai. Positional verbs Ex. 4 –5
» Nuzha ampa nai. Positional verbs Ex. 4 –5
» Yannu ampa nai. Positional verbs Ex. 4 –5
» Pagla kwichi. Positional verbs Ex. 4 –5
» Achu wegin un. Positional verbs Ex. 4 –5
» Mol mai. Positional verbs Ex. 4 –5
» Mol chi. Positional verbs Ex. 4 –5
» Mol pukwa. Positional verbs Ex. 4 –5
» Machi mai. Positional verbs Ex. 4 –5
» Mu chi. Positional verbs Ex. 4 –5
» Pun chi. Positional verbs Ex. 4 –5
» Machi chi. Positional verbs Ex. 4 –5
» Pedro saglaga mai. Positional verbs Ex. 4 –5
» Alvaro tummadga mai. Positional verbs Ex. 4 –5
» Juan, Luisbal nai. Positional verbs Ex. 4 –5
» Present progressive tense-aspect Ex. 6 –9
» Dialogue Mimmi kabzhi. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Wag kabgwis. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Disclaimer nothing-special-is-happening response Ex. 10
» Unit price intonation pattern Ex. 4 –5
» Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» tagar kukbo Numbers Ex. 6 –19
» tagar kukukugle Numbers Ex. 6 –19
» Kaie negchaled tanpá. Numbers Ex. 6 –19
» Nagwal tananerkwa. Numbers Ex. 6 –19
» Illustrated comparisons of Group I and Group III number prefixes
» Money units Ostigid libergwen.
» Mol tarpabak. maniatal Numbers Ex. 6 –19
» olmanitulagwen kakaambe Numbers Ex. 6 –19
» tummibo pirkaambe Numbers Ex. 6 –19
» ni walanerkwa Numbers Ex. 6 –19
» Response by repetition Pronunciation and Intonation
» Yielding-the-floor response Ex. 1 –4 Pronunciation and Intonation
» Aspects of topographical features
» Locative adverbs Adverbs of location which usually occur without a stated reference point
» Pronunciation: Tracking and Mimicry Ex. 1 –3
» Word order of a noun phrase Ex. 4 –5
» cheredzhuli nuedzhuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kollojuli totojuli tummajuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» muiduli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» istarchuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» arradzhaled chiayob Colors Ex. 7 –10
» Attributive sentence Ex. 11 –14 olobijuli
» Existence sentence Ex. 15 olobijuli
» Quantity 39 –42 Useful expressions 43 –45 Vocabulary
» Pronunciation Ex. 1 –3 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Nan mas tune. Verb tense-aspect future Ex. 4 –7
» Nan mas tuo. Verb tense-aspect future Ex. 4 –7
» Eswal ilagin kwichio. Verb tense-aspect future Ex. 4 –7
» Including an additional participant in an action Ex. 8 –9
» An machiga chogzha. Indirect object Ex. 14
» Pronunciation: Intonation of Conversation Sustainers Ex. 1 –3
» Establishment of topic Ex. 4
» Sustaining the topic Grammar
» Pan an ne. ‗I am going tomorrow.‘
» An pedu ne. ‗I‘m going to go on ahead of you.‘
» An pe cholbal ne. ‗I‘m going to go after you.‘
» Mas kunnoedgin iti ina kobo.
» An kinki elisgu an immal aminad.
» Pronunciation Ex. 1 –2 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Extended use of -gad-kad -gad-kad is used in the sense of
» tulegan Concept of pluralization Ex. 6 –18
» yannumal Concept of pluralization Ex. 6 –18
» omemal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» nanmal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» nanzhelmal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ¿Igi kude? Verb ku ‘to happenbecome’
» ¿Igi kunani? Verb ku ‘to happenbecome’
» ¿Igi kudi? Verb ku ‘to happenbecome’
» ¿Igi kus? Verb ku ‘to happenbecome’
» ¿Igi an kuo? Verb ku ‘to happenbecome’
» ¿Igi ankin kuo? Verb ku ‘to happenbecome’
» Teob kus. Verb ku ‘to happenbecome’
» Tegin tar mecha. ‗Then he killed it.‘
» Change-of-topic marker te choggudina Te
» Te ulal pe anka akan pid pakena That’s exactly why you have to buy me another one.‘
» Pronunciation Ex. 1 –4 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Preparatory aspect –chogal-zhogal-jogal Ex. 7–8
» Habitual aspect condition Ex. 9 –10
» Response to the habitual aspect condition Ex. 11
» Purpose suffix -gal-kal Ex. 13 –15
» turwigal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pedro saglaje ekisbi. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» An saglaga pegin chogzha. ‗I told the chief about you.‘
» An saglaga pebal chogzha. ‗I told the chief what you said.‘
» An saglaje pegin ekichis. ‗I asked the chief about you in general, How are
» Direct speech An saglaje pebal ekichis. ‗I asked the chief about what you said.‘
» Verbs of thinking An saglaje pebal ekichis. ‗I asked the chief about what you said.‘
» Exclusive action adverb unila ‘only’ Ex. 28
» Vocabulary Dialogue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Intonation of commands Ex.1 –2
» Very polite commands ¡Kwiskuma ‗I told you to stand up‘
» Indirect command The word meke
» Pemal, anche tagmalo. Commands: DirectPolite Ex. 3 –21
» Pemal, wis negwelmalo. Commands: DirectPolite Ex. 3 –21
» Uadin, toto chul. Negatives Ex. 22 –30
» Culture Ampayo. ‗Not yet.‘ Vocabulary
» ¡Tage Motion verbs Ex. 5 –13
» Eye. Natab. Motion verbs Ex. 5 –13
» Tago, tegil. Motion verbs Ex. 5 –13
» Pe nao. Motion verbs Ex. 5 –13
» Eye, an natab. Motion verbs Ex. 5 –13
» Pan, pe tagbalo. Motion verbs Ex. 5 –13
» An tanibal. Motion verbs Ex. 5 –13
» Carlos anche tani. Motion verbs Ex. 5 –13
» Eye, peje natap. Motion verbs Ex. 5 –13
» Carlos peje ne. Motion verbs Ex. 5 –13
» Eye, anche tani. Motion verbs Ex. 5 –13
» Carlos anmalzhe tani. Motion verbs Ex. 5 –13
» An pirkal tani. ‗I‘ve come but not to stay.‘
» An meg tani. ‗I‘ve come to overnight.‘
» Story-telling intonation Ex. 1 –3 Pronunciation
» Good story-telling style Pronunciation
» Dialogue Toas, an imas. ‗Bang I shot it.‘
» ¡Motok Mer-mer-mer-mer pes. ‗Thud His wings went whir-whir-whir-whir.‘
» Ul tummad noni; ul chichidi. ‗A big canoe arrived; a black canoe.‘
» Peripheral element omitted in the main clause and unexpanded in the postpredicate position
» An mol ukcha; nanga. ‗I gave the cloth to Mother.‘
» An ne; mutik. ‗I am going tonight.‘
» Koe un; chapurbal. ‗A deer is in the jungle.‘
» An ne; negzhe. ‗I am going to go home.‘
» Machi ne; kueye-kueye. ‗The boy is going to go quickly.‘
» Machi ua ukcha; nanga. ‗The boy gave the fish to Mother.‘
» Machi nanga ua ukcha; nanga. ‗The boy gave Mother the fish.‘
» Machi achu parpad mecha; achu tummadi.
» Culture Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kobed LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Positional verb of motion Ex. 6 In Lesson 6, the positional verbs mai
» Mas chike. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Chapurbal ne; antin. ‗I am going to the jungle.‘
» Nad; Luisdin. ‗Louis, went.‘
» Monologue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Machergandin nabir we tak. ‗The men are allowed to look at that.‘
» Tegin antin kannan negzhe nadzhun. ‗Consequently I went back home.‘
» odurta okun ogob LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Melle neg chobgal machi imako.
» Machi chikles. Impersonal passive suffix -le-lle Ex. 13
» Koe makles. Impersonal passive suffix -le-lle Ex. 13
» We nugu kullege. Impersonal passive suffix -le-lle Ex. 13
» An obap. Habitual behavior aspect
» Ome mas chuap. Habitual behavior aspect
» An tulemalzhe ekisap. Habitual behavior aspect
» Folktale LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation Ex. 1 –4 Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pablo te mecha. ‗Paul killed it that same one.‘
» An te ukcha. ‗I sold it that same one.‘
» Amal. Indefinite and indeterminate pronouns .1 Indefinite pronouns
» General principles used in construction of more common contrary-to-fact sentences
» Machi eswal tub nikujalen, ua chwajan.
» An Payche arpiilen, Luis takchan. An neelen, an wartikuoen.
» An motor pin nikalen, an Panamaje naoen
» Machi toto kammaiilen, tadbak nadzhulin
» Mol webal naiilen, wartikunen.
» Wishing optative An mol pakneelen, an pega pakmogoen.
» ¿Piawa? ‗Where could it possibly be?‘
» ¿Inkwawa? ‗When could it possibly happen?‘
» ¿Ibiwa? ‗What‘s wrong? Lit.: What possibly?‘
» A yannudin igalgin mellemai. ‗That peccary was sprawled out on the trail.‘ Vocabulary
» Long forms LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Tegine makchabal. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» e., not: words LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Reason LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Problem Speaking only Kuna will increase cultural stress.
» The necessity of setting a limit to the exceptions
» Opportunities LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Methods LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Noting the setting LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Gestures Note the accompanying gestures and facial expressions.
» Language learning expressions LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Eliciting information138 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Correcting It is important that the people correct you all the time. Now this is hard to do.
» Keep going LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Evaluate yourself LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Living LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Time LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Planning your contacts with people
Show more