e., not: words LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
B. Steps in Learning
136 In order to really learn something in Kuna, you have to go through five steps in the learning process.1. Awareness
First, you need to be made aware of the existence of a particular sound, word, grammatical construction or intonation pattern and its meaning. Yon have to learn to ―hear‖ recognize it in a particular context. For example, you find out become aware that toa means ―who‖ and start to ―hear‖ recognize it when it is used in an amplificatory question see Section 4.4.3.1. Example ¿Toa nade? ‗Who went?‘ 2. Reproduction Then, you have to learn to reproduce say automatically the same particular sound, word, grammatical construction, or intonation pattern in that particular context. For example, you practice using toa ‗who‘ in amplificatory questions until you can do so without even thinking about it.3. Variation
Next, you learn to modify vary what you have just learned in section 2 above, in the same context. For example, you discover that by adding -ga to toa ‗who‘ modifying it, you get toaga ‗to, for whom‘. Also, you discover that by adding -bak to toa ‗who‘ another modification, you get toabak ‗with whom‘ which you can now use in the same context amplificatory questions. Examples 1. ¿Toa ob chus? ‗Who fetched the corn?‘ 2. ¿Toaga ob chus? ‗For whom did he fetch the corn?‘ 3. ¿Toabak ob chus? ‗With whom did he fetch the corn?‘ 4. Limited Control Then you learn to control what you have learned in other limited contexts. For example, you move from controlling toa ‗who‘ only in amplificatory questions, to controlling toa ‗who‘ in topic questions and confirmation questions though all in the limited context of questions. Examples 1. ¿Toa koe makcha? ‗Who killed the deer?‘ 2. ¿Koede, toa tar makcha? ‗Who killed the deer?‘ 3. ¿Toa makcha? ‗Who did you say killed the deer?‘ 5. Complete control Finally, you learn to control what you are learning in any context and use it automatically whenever you need it to communicate what you want to say. For example, you learn to use toa elsewhere in the language. Example Meke toa tule tani. ‗Let anybody come.‘C. What You Have To Do To Succeed
Robert Gunn personal communication suggests there are three essential requirements for success: 1 speak the language, 2 keep others talking, and 3 plan your contacts.1. Speak the language
Speak Kuna, only Kuna, all the time in the presence of Kunas. 136 Larson, Donald N. and Smalley, William A. 1972. Becoming Bilingual, A Guide To Language Learning. New Canaan, Connecticut. Practical Anthropology, pp. 147 –150. 310 Language Learninga. Reason
This forces you to do several things: 1. Use what you know of the language. 2. Expand the areas of language that you need most. 3. Decrease the use of the national language, which helps you to start ―thinking‖ in Kuna. 4. Usage helps the words and patterns you employ to become more automatic.b. Problem Speaking only Kuna will increase cultural stress.
137 It is important to note that cultural stress is different from culture shock inasmuch as it affects everybody who lives in a culture other than their own. The frustration of trying to communicate in a language you do not control increases your stress load. This is especially true in the early days but will decrease as your ability to speak Kuna increases. In addition, moving around in a minefield of unknown cultural booby traps in the form of gestures, attitudes and nuances of spoken clues, is also very stressful. You should be aware of how to recognize and deal with this problem. There is much written on this subject which would be of help. In light of this problem. the rule of ―speak Kuna and only Kuna‖ should be modified. For instance, depending upon your intended length of stay, stress tolerance, etc., ―only Kuna‖ might have to be modified to ―only Kuna for X number of hours per day.‖ Preferably you should state when this should be, e.g., 12:00 noon - 8:00 p.m. the busy visiting time. It will take discipline even to do this, but the effort will be worth it. Cultural relaxation, such as light reading or music is good after the end of the designated period for speaking. c. Setting the limit on speaking only Kuna There are three ways in which you can limit modify the rule of ―speak only Kuna, always.‖ Again, you need to remember that you are looking for the minimum number of exceptions to this rule that will allow you to work and live within your limitations of your stress load, etc.. 1 Time You should set what portion of the day you will relax the rule of speaking Kuna only, e.g., after 8:00 p.m. By this time most visitors are gone. If there are still some around, you don ‘t have to force yourself to keep speaking Kuna if you get ―stuck.‖ Relaxing the rule does not mean that you revert to Spanish completely, but means that you allow yourself to indulge in using a Spanish sentence here or there, or to express a point you aren ‘t yet able to do in Kuna. 2 Geographic location You may decide to make exceptions on the basis of physical location. For example, you may decide that if you visit a Kuna, you will only speak Kuna. If he visits you, there may be times when you will allow him to address you in Spanish. 3 Situation You need to list the situations under which you will allow yourself to relax the rule of speaking only Kuna. For example, a reasonable exception would be during an emergency —medical or otherwise. You need to decide what your rules are going to be in the presence of a Kuna, plus a person who doesn ‘t understand only Kuna. 137 For further discussion of this problem read Stress producing factors in cultural adjustment by Wayne T. Dye 1974 Missiology 2 1:61 –77. Appenxix N 311d. The necessity of setting a limit to the exceptions
You are human, and unless you set a limit to your ―exceptions,‖ you will find that you start to use the language less and less. It is hard to speak Kuna all the time and experience the frustration of not being able to communicate properly, but this ―forcing‖ of yourself to speak it will make you use what you know and ―dig‖ for what you don ‘t know. Therefore, adhere rigidly to your limits2. Keep others talking
In learning Kuna, an important part of the process is ―listen, listen, listen.‖a. Reason
Parts
» LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ulu Pronunciation of individual vowel and lenis consonant sounds
» Mai versus chi Use of personal pronouns The first and second person personal pronouns an
» Dialogue Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation of individual fortis consonant sounds Ex. 4 –8
» Vowel length Ex. 9 Pronunciation
» Distinguishing between fortis and lenis consonants Ex. 10 –27
» Consonant clusters Ex. 28 Pronunciation
» Word order Ex. 29 –30 Grammar
» Intonation patterns of questions and answers Ex. 4 –10
» tada Pronunciation of consonants at the beginning of a word
» kobe Pronunciation of consonants at the beginning of a word
» chobe Pronunciation of consonants at the beginning of a word
» sagla Pronunciation of consonants at the beginning of a word
» mama Pronunciation of consonants at the beginning of a word
» nana Pronunciation of consonants at the beginning of a word
» lele Pronunciation of consonants at the beginning of a word
» Pronunciation of monosyllabic words Ex. 11
» Dialogue Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Intransitive sentence word order
» Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation of consonants at the end of words Ex. 3
» zhw is pronounced like su in
» mw does not occur in English, but there should be no difficulty in producing this sound.
» kw is pronounced almost like cu in cuarto
» gw is pronounced almost like gu in agua
» tw is pronounced almost like tu in santuario
» dw is pronounced almost like du in Eduardo
» chw is pronounced almost like chu in tachuela
» Verb tense in completive aspect Verb form in completive aspect Ex. 8 –10
» Confirmation please repeat questions
» Dialogue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Conversation Listing Pronunciation and Intonation Ex. 1 –4
» aktigal kabo Numbers Ex. 5 –15
» tagar kabo Numbers Ex. 5 –15
» karta kabo Numbers Ex. 5 –15
» nalas kagan kabo Numbers Ex. 5 –15
» achu walanerkwa Numbers Ex. 5 –15
» kukualed walaatal Numbers Ex. 5 –15
» mas walbake walabake Numbers Ex. 5 –15
» puwal walpá walapá Numbers Ex. 5 –15
» mas walakugle Numbers Ex. 5 –15
» kallin kwabo Numbers Ex. 5 –15
» kwi kwakugle Numbers Ex. 5 –15
» Tad kwagwenna chi. Numbers Ex. 5 –15
» ulgo matabo Numbers Ex. 5 –15
» wini matabake Numbers Ex. 5 –15
» Culture sabured koanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kachi koakugle LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» yogal koapabak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» mol koaambe LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chan koanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chowal chaglanerkwa LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» chia chaglakugle LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kunnu chaglapabak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ogob chaglabakebak LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Listing Things and events in Kuna are listed in their long form, and the conjunction tegine
» Conversational intonation Ex. 1 –2 Disclaimer nothing-special-is-happening response Ex. 3
» Pointing Counting with fingers
» Eswal mai. Positional verbs Ex. 4 –5
» Aktigal mai. Positional verbs Ex. 4 –5
» Karpa chi. Positional verbs Ex. 4 –5
» Nalas chi. Positional verbs Ex. 4 –5
» Kan chi. Positional verbs Ex. 4 –5
» Pude chi. Positional verbs Ex. 4 –5
» Esmed chi. Positional verbs Ex. 4 –5
» Kachi nai. Positional verbs Ex. 4 –5
» Kukualed nai. Positional verbs Ex. 4 –5
» Choul nai. Positional verbs Ex. 4 –5
» Nuzha ampa nai. Positional verbs Ex. 4 –5
» Yannu ampa nai. Positional verbs Ex. 4 –5
» Pagla kwichi. Positional verbs Ex. 4 –5
» Achu wegin un. Positional verbs Ex. 4 –5
» Mol mai. Positional verbs Ex. 4 –5
» Mol chi. Positional verbs Ex. 4 –5
» Mol pukwa. Positional verbs Ex. 4 –5
» Machi mai. Positional verbs Ex. 4 –5
» Mu chi. Positional verbs Ex. 4 –5
» Pun chi. Positional verbs Ex. 4 –5
» Machi chi. Positional verbs Ex. 4 –5
» Pedro saglaga mai. Positional verbs Ex. 4 –5
» Alvaro tummadga mai. Positional verbs Ex. 4 –5
» Juan, Luisbal nai. Positional verbs Ex. 4 –5
» Present progressive tense-aspect Ex. 6 –9
» Dialogue Mimmi kabzhi. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Wag kabgwis. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Disclaimer nothing-special-is-happening response Ex. 10
» Unit price intonation pattern Ex. 4 –5
» Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» tagar kukbo Numbers Ex. 6 –19
» tagar kukukugle Numbers Ex. 6 –19
» Kaie negchaled tanpá. Numbers Ex. 6 –19
» Nagwal tananerkwa. Numbers Ex. 6 –19
» Illustrated comparisons of Group I and Group III number prefixes
» Money units Ostigid libergwen.
» Mol tarpabak. maniatal Numbers Ex. 6 –19
» olmanitulagwen kakaambe Numbers Ex. 6 –19
» tummibo pirkaambe Numbers Ex. 6 –19
» ni walanerkwa Numbers Ex. 6 –19
» Response by repetition Pronunciation and Intonation
» Yielding-the-floor response Ex. 1 –4 Pronunciation and Intonation
» Aspects of topographical features
» Locative adverbs Adverbs of location which usually occur without a stated reference point
» Pronunciation: Tracking and Mimicry Ex. 1 –3
» Word order of a noun phrase Ex. 4 –5
» cheredzhuli nuedzhuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kollojuli totojuli tummajuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» muiduli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» istarchuli LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» arradzhaled chiayob Colors Ex. 7 –10
» Attributive sentence Ex. 11 –14 olobijuli
» Existence sentence Ex. 15 olobijuli
» Quantity 39 –42 Useful expressions 43 –45 Vocabulary
» Pronunciation Ex. 1 –3 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Nan mas tune. Verb tense-aspect future Ex. 4 –7
» Nan mas tuo. Verb tense-aspect future Ex. 4 –7
» Eswal ilagin kwichio. Verb tense-aspect future Ex. 4 –7
» Including an additional participant in an action Ex. 8 –9
» An machiga chogzha. Indirect object Ex. 14
» Pronunciation: Intonation of Conversation Sustainers Ex. 1 –3
» Establishment of topic Ex. 4
» Sustaining the topic Grammar
» Pan an ne. ‗I am going tomorrow.‘
» An pedu ne. ‗I‘m going to go on ahead of you.‘
» An pe cholbal ne. ‗I‘m going to go after you.‘
» Mas kunnoedgin iti ina kobo.
» An kinki elisgu an immal aminad.
» Pronunciation Ex. 1 –2 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Extended use of -gad-kad -gad-kad is used in the sense of
» tulegan Concept of pluralization Ex. 6 –18
» yannumal Concept of pluralization Ex. 6 –18
» omemal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» nanmal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» nanzhelmal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» ¿Igi kude? Verb ku ‘to happenbecome’
» ¿Igi kunani? Verb ku ‘to happenbecome’
» ¿Igi kudi? Verb ku ‘to happenbecome’
» ¿Igi kus? Verb ku ‘to happenbecome’
» ¿Igi an kuo? Verb ku ‘to happenbecome’
» ¿Igi ankin kuo? Verb ku ‘to happenbecome’
» Teob kus. Verb ku ‘to happenbecome’
» Tegin tar mecha. ‗Then he killed it.‘
» Change-of-topic marker te choggudina Te
» Te ulal pe anka akan pid pakena That’s exactly why you have to buy me another one.‘
» Pronunciation Ex. 1 –4 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Preparatory aspect –chogal-zhogal-jogal Ex. 7–8
» Habitual aspect condition Ex. 9 –10
» Response to the habitual aspect condition Ex. 11
» Purpose suffix -gal-kal Ex. 13 –15
» turwigal LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pedro saglaje ekisbi. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» An saglaga pegin chogzha. ‗I told the chief about you.‘
» An saglaga pebal chogzha. ‗I told the chief what you said.‘
» An saglaje pegin ekichis. ‗I asked the chief about you in general, How are
» Direct speech An saglaje pebal ekichis. ‗I asked the chief about what you said.‘
» Verbs of thinking An saglaje pebal ekichis. ‗I asked the chief about what you said.‘
» Exclusive action adverb unila ‘only’ Ex. 28
» Vocabulary Dialogue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Intonation of commands Ex.1 –2
» Very polite commands ¡Kwiskuma ‗I told you to stand up‘
» Indirect command The word meke
» Pemal, anche tagmalo. Commands: DirectPolite Ex. 3 –21
» Pemal, wis negwelmalo. Commands: DirectPolite Ex. 3 –21
» Uadin, toto chul. Negatives Ex. 22 –30
» Culture Ampayo. ‗Not yet.‘ Vocabulary
» ¡Tage Motion verbs Ex. 5 –13
» Eye. Natab. Motion verbs Ex. 5 –13
» Tago, tegil. Motion verbs Ex. 5 –13
» Pe nao. Motion verbs Ex. 5 –13
» Eye, an natab. Motion verbs Ex. 5 –13
» Pan, pe tagbalo. Motion verbs Ex. 5 –13
» An tanibal. Motion verbs Ex. 5 –13
» Carlos anche tani. Motion verbs Ex. 5 –13
» Eye, peje natap. Motion verbs Ex. 5 –13
» Carlos peje ne. Motion verbs Ex. 5 –13
» Eye, anche tani. Motion verbs Ex. 5 –13
» Carlos anmalzhe tani. Motion verbs Ex. 5 –13
» An pirkal tani. ‗I‘ve come but not to stay.‘
» An meg tani. ‗I‘ve come to overnight.‘
» Story-telling intonation Ex. 1 –3 Pronunciation
» Good story-telling style Pronunciation
» Dialogue Toas, an imas. ‗Bang I shot it.‘
» ¡Motok Mer-mer-mer-mer pes. ‗Thud His wings went whir-whir-whir-whir.‘
» Ul tummad noni; ul chichidi. ‗A big canoe arrived; a black canoe.‘
» Peripheral element omitted in the main clause and unexpanded in the postpredicate position
» An mol ukcha; nanga. ‗I gave the cloth to Mother.‘
» An ne; mutik. ‗I am going tonight.‘
» Koe un; chapurbal. ‗A deer is in the jungle.‘
» An ne; negzhe. ‗I am going to go home.‘
» Machi ne; kueye-kueye. ‗The boy is going to go quickly.‘
» Machi ua ukcha; nanga. ‗The boy gave the fish to Mother.‘
» Machi nanga ua ukcha; nanga. ‗The boy gave Mother the fish.‘
» Machi achu parpad mecha; achu tummadi.
» Culture Vocabulary LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» kobed LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Positional verb of motion Ex. 6 In Lesson 6, the positional verbs mai
» Mas chike. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Chapurbal ne; antin. ‗I am going to the jungle.‘
» Nad; Luisdin. ‗Louis, went.‘
» Monologue LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Machergandin nabir we tak. ‗The men are allowed to look at that.‘
» Tegin antin kannan negzhe nadzhun. ‗Consequently I went back home.‘
» odurta okun ogob LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Melle neg chobgal machi imako.
» Machi chikles. Impersonal passive suffix -le-lle Ex. 13
» Koe makles. Impersonal passive suffix -le-lle Ex. 13
» We nugu kullege. Impersonal passive suffix -le-lle Ex. 13
» An obap. Habitual behavior aspect
» Ome mas chuap. Habitual behavior aspect
» An tulemalzhe ekisap. Habitual behavior aspect
» Folktale LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pronunciation Ex. 1 –4 Culture LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Pablo te mecha. ‗Paul killed it that same one.‘
» An te ukcha. ‗I sold it that same one.‘
» Amal. Indefinite and indeterminate pronouns .1 Indefinite pronouns
» General principles used in construction of more common contrary-to-fact sentences
» Machi eswal tub nikujalen, ua chwajan.
» An Payche arpiilen, Luis takchan. An neelen, an wartikuoen.
» An motor pin nikalen, an Panamaje naoen
» Machi toto kammaiilen, tadbak nadzhulin
» Mol webal naiilen, wartikunen.
» Wishing optative An mol pakneelen, an pega pakmogoen.
» ¿Piawa? ‗Where could it possibly be?‘
» ¿Inkwawa? ‗When could it possibly happen?‘
» ¿Ibiwa? ‗What‘s wrong? Lit.: What possibly?‘
» A yannudin igalgin mellemai. ‗That peccary was sprawled out on the trail.‘ Vocabulary
» Long forms LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Tegine makchabal. LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» e., not: words LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Reason LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Problem Speaking only Kuna will increase cultural stress.
» The necessity of setting a limit to the exceptions
» Opportunities LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Methods LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Noting the setting LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Gestures Note the accompanying gestures and facial expressions.
» Language learning expressions LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Eliciting information138 LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Correcting It is important that the people correct you all the time. Now this is hard to do.
» Keep going LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Evaluate yourself LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Living LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Time LCDD 14 Paya Kuna. LCDD 14 Paya Kuna
» Planning your contacts with people
Show more